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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Laura Zarougian
Music, PremieresAugust 24, 2023<August 24, 2023

“Turning reality on its head”: Laura Zarougian’s “Back to Me” Premieres With Achingly Raw Folk Charm

Course © Savannah Scruggs
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: Chicago’s Course Deliver a Synth-Soaked Inner Reckoning in “Too Busy for Feelings”

Hayley Reardon "Enough Is Everything" still © Blake Z. Larson
Music, PremieresAugust 23, 2023<August 23, 2023

“I held the world then put it back”: Hayley Reardon Bares Her Soul on the Achingly Vulnerable “Enough Is Everything”

Mega Ran © Jeff Moses
Music, Music Videos, PremieresAugust 23, 2023<February 1, 2024

Premiere: Mega Ran’s “Gimme the Fruit” (ft. Whitney Peyton) Is Sweet, Fun, & Certified Fresh

supergloom © Laura Moreau
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: supergloom’s Fever Dream “Glass Ajar” Is a Cathartic Release of Energy & Emotion

The Vaughns © Brian Hughes
Music, Music Videos, PremieresAugust 23, 2023<August 22, 2023

Premiere: The Vaughns Take It “Day By Day” in a Cathartic, Soul-Stirring Song of Grief, Love, & Cancer

Joh Chase © Shervin Lainez
Music, Music Videos, PremieresAugust 22, 2023<August 22, 2023

Premiere: The Raw Vulnerability & Aching Intimacy of Joh Chase’s “Risking It With You”

Songies - PYNKIE
Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023

Album Premiere: PYNKIE’s ‘Songies’ Is a Dreamy, Sun-Soaked World of Warmth & Wonder

Honeycrush © Oliver Covrett
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Honeycrush’s “Stars” Is an Intimate Haze of Desperation & Detachment

Soda Blonde © Patricio Cassinoni
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Soda Blonde’s Cinematic “Midnight Show” Is a Passion & Purpose-Driven Anthem for Unapologetic Artists

Caroline Cotter © Katherine Emery
MusicAugust 16, 2023<August 16, 2023

Gently As I Go: Caroline Cotter Premieres Her Intimate, Reflective, & Nostalgic Third Album

Simen Mitlid © 2023
Music, PremieresAugust 16, 2023<August 16, 2023

Premiere: Simen Mitled’s Breathtaking Indie Folk Reverie “Five Hundred Days” Aches With the Beauty & Pain of Memory

City and Colour © Vanessa Heins
Features, Interviews, MusicAugust 15, 2023<August 15, 2023

“The Love Still Held Me Near”: City and Colour’s Dallas Green Talks Loss, Grief, & Love

Sharifa © ​Aubrey Simpson
Columns, Music, Today's SongAugust 15, 2023<August 24, 2023

Today’s Song: Sharifa’s “BEDROOM LIGHT” Is a Dark, Late Night Fever Dream

JayWood © Min Soo Park
Features, Interviews, Music, Track-by-TrackAugust 14, 2023<August 24, 2023

“Looking Back to Go Forward”: Jaywood Shares His Wild, Busy, & Sunny ‘Grow On’ EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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