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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Pearl - Bobby Bazini
Features, Interviews, Music, Track-by-TrackSeptember 7, 2023<September 7, 2023

Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP

Barbaro © Wolfskull Creative
Columns, Music, Today's SongSeptember 7, 2023<September 7, 2023

Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens”

Anna Rose "Last Girl of the Rodeo" © Alexa King
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 8, 2023

“Truth in Costume”: Anna Rose Is Unleashed & Empowered on ‘Last Girl of the Rodeo,’ Her Tragic, Soul-Stirring Reckoning

Tom Speight © Scarlet Page
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 14, 2023

‘Love & Light’: Tom Speight Goes Track-by-Track Through His Breathtakingly Beautiful Third Album

The Brook & The Bluff © Noah Tidmore
MusicSeptember 6, 2023<September 6, 2023

“A lighthouse out in the storm”: The Brook & The Bluff Dive “Headfirst” into a New Era As ‘Bluebeard’ Approaches

S. Carey & John Raymond © Kyle Lehman
Music, PremieresSeptember 5, 2023<September 5, 2023

Premiere: John Raymond & S. Carey Rise Up From the Shadowlands to Coalesce in “Chrysalis”

deary © Emelie Eckerud
Columns, Music, Today's SongAugust 31, 2023<March 2, 2025

“A vision equally glamorous and dirty”: The Tender Turmoil of deary’s “Beauty in All Blue Satin”

Paris Paloma © Jennifer McCord
Music, PremieresAugust 31, 2023<August 31, 2023

“Loving Oneself Under Patriarchy Is a Revolutionary Act”: Paris Paloma’s “as good a reason” Is a Liberated, Empowering Feminist Anthem

No Guitar - Curling
Features, Interviews, Music, Track-by-TrackAugust 30, 2023<August 30, 2023

“Eclectic, Spontaneous, and Still a Bit Neurotic”: Inside Curling’s Labor of Love, ‘No Guitar’

Menajerie © 2023
Music, PremieresAugust 30, 2023<August 30, 2023

“Selective deafness, but now you know”: Menajerie’s Soul-Stirring “Holding Pattern” Is an Empowering & Emotionally Charged Seduction

Phosphene © Jeffrey Placencia
Music, PremieresAugust 30, 2023<August 30, 2023

A Bittersweet Romance: Phosphene Premiere Their Tender Tempest “Wandering” Off New Album ‘Transmute’

"i’m confident that i’m insecure" - Lawrence © Deanie Chen
Features, Interviews, MusicAugust 29, 2023<August 30, 2023

“I’m confident that I’m insecure”: Lawrence Are More Fun, Quirky, & Vulnerable Than Ever

Mick Flannery © Susie Conroy
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Mick Flannery Explores the Arc of Life on “Young,” a Visceral & Radiant Reckoning

Beharie © Shawn Arvind
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Beharie’s Soul-Stirring “We Never Knew” Is a Passionate Postmortem on Lost Love

Isaac Watters © Stone Shannon
MusicAugust 28, 2023<August 28, 2023

EP Premiere: The Gentle Warmth & Wonder of Isaac Watters’ ‘Extended Play 002’

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