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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

mary in the junkyard "drains" © Vittoria Pagliaro
Artist to Watch, Interviews, MusicJuly 30, 2025<July 30, 2025

Slipping Down the “Drains” with mary in the junkyard: British Band-to-Watch on Chaos, Connection, & Catharsis

Liam Bauman © Rachel Weber
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 29, 2025<July 29, 2025

Artist to Watch: Liam Bauman’s “Old Friends” Is a Raw, Unfiltered Reckoning with Grief, Guilt, & Emotional Fallout

Soft Loft © Flavio Leone
Features, Interviews, Music, Track-by-TrackJuly 28, 2025<November 6, 2025

Track-by-Track: Soft Loft Illuminate Longing, Intimacy, & Emotional Release on Their Lush ‘Modern Roses’ EP

Atwood Magazine's 129th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 25, 2025<August 7, 2025

Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR!

hard life's Murray Matravers © 2025
Music, ReviewsJuly 25, 2025<July 25, 2025

Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’

Debbii Dawson © Jennifer Juniper Stratford
Artist to Watch, Features, Interviews, MusicJuly 24, 2025<July 24, 2025

“I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World

Joe Ramsay © James Grant
Music, PremieresJuly 24, 2025<July 28, 2025

Premiere: Joe Ramsey Reflects on Time, Purpose, & Presence in “Mornings,” a Stirring Indie Folk Reckoning

Charlotte OC © Stewart Baxter
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025

“I wanted this record to sound like truth”: Charlotte OC Reclaims Herself on ‘Seriously Love, Go Home,’ a Record of Reckoning, Release, & Hard-Won Clarity

Amy Millan © Tess Roby
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025

“Gentle Songs for a Loud World”: Stars’ Amy Millan Shines on ‘I Went to Find You,’ a Spiritual & Spellbinding Solo Album Rooted in Memory, Grief, & Grace

Olina © 2025
Music, PremieresJuly 23, 2025<July 23, 2025

Premiere: Olina’s “Newspaper Smell” Is a Raw, Raucous Reckoning with Class, Chaos, & First-Gen Dread

NoSo © Driely Carter
Artist to Watch, Features, Interviews, MusicJuly 23, 2025<July 24, 2025

Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs

Isabella&Sebastian © 767Agency
Music, PremieresJuly 22, 2025<July 22, 2025

Premiere: Isabella&Sebastian Fight Self-Sabotage in Style on “Lobbytommy,” a Smoldering Indie Pop Reverie

aleksiah © 2025
Interviews, MusicJuly 21, 2025<July 21, 2025

Interview: aleksiah Turns Perfectionism into Pop Gold on “The Hit,” an Emotionally Charged Anthem that Lives Up to Its Name

Atwood Magazine's 128th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 18, 2025<July 19, 2025

Editor’s Picks 128: The Favors, Hushtones, ROLE MODEL, Adult Mom, Zac Farro, & fanclubwallet!

Malena Zavala © Hilda Pellerano
Music, Music Videos, PremieresJuly 18, 2025<July 18, 2025

Premiere: Malena Zavala Captures Love’s Dreamlike Magic in “MELT,” a Softly Soul-Stirring Surrender to Intimacy

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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