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Renae Weaver

Renae Weaver

Tyler Sjöström © Megan Cody
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Tyler Sjöström Unleashes His Emotion Through “Holding On”

COIN © Zachary Gray
Columns, Music, This Just In, Today's SongApril 12, 2017<April 12, 2017

This Just In: COIN Battle for Song of the Summer with “Feeling”

Moonrise Nation © Victoria Sanders
Features, Interviews, MusicMarch 30, 2017<March 30, 2017

Moonrise Nation Leave Nothing Behind: A Conversation About Songwriting and Inspiration

Cold War Kids are Nathan Willett, Matt Maust, Joe Plummer, Matthew Schwartz, and David Quon // © Dan Monick
Columns, Music, Today's SongFebruary 14, 2017<February 13, 2017

Today’s Song: Cold War Kids Bring a Hard Hitting Beat to a Love Song in “Love Is Mystical”

Judah & the Lion © Chloe Horseman
Features, Interviews, MusicFebruary 1, 2017<February 1, 2017

Nothing but Authenticity and Folk Hop: A Conversation with Judah & the Lion

Anousheh © Bree El Davis
Features, Music, PremieresDecember 9, 2016<December 9, 2016

Exclusive Premiere: Anousheh Reminds Us to Live in the Moment in “Get to You”

Blame Candy self-portrait
Debut, Features, Music, Music Videos, PremieresSeptember 29, 2016<October 13, 2016

Exclusive Premiere: Blame Candy Debuts with Empowering Energy on Anthemic “Life Like You”

NEEDTOBREATHE © Eric Ryan Anderson
Music, Our Take, ReviewsAugust 17, 2016<August 17, 2016

Our Take: On “Hard Love,” NEEDTOBREATHE Deliver a Powerful Message

Zipper Club "Going the Distance" still
Columns, Debut, Music, Today's SongJuly 21, 2016<July 21, 2016

Today’s Song: Zipper Club Emerges with “Going the Distance”

Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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