September 23, 2023<September 23, 2023 Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me” by Laurent Chavannes
September 22, 2023<September 22, 2023 The Friendly Fire and Smoldering Seduction of Glassio & Beauty Queen’s “A Friend Like You” by Mitch Mosk
September 22, 2023<September 22, 2023 Atwood Magazine’s Weekly Roundup: September 22, 2023 by Atwood Magazine Staff
September 21, 2023<September 21, 2023 Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love by Mitch Mosk
September 21, 2023<September 21, 2023 Atta Boy’s “Walden Pond” Reminds Us of What We’ve Lost & Tells Us How to Get It Back by Audrey Connelly
September 20, 2023<September 20, 2023 Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering by Mitch Mosk
September 20, 2023<September 20, 2023 Podcast: Tunes & Tumblers Features Magnolia Park and a Passion Eater (ft. Tristan Torres) by Atwood Magazine Staff
September 19, 2023<September 19, 2023 Artist to Watch: VARLEY Spiral Out in “Hate Myself (So Much Sometimes),” a Seductive Anthem of Inner Reckoning by Mitch Mosk
September 18, 2023<September 18, 2023 Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature by Sofia Sar
September 16, 2023<September 20, 2023 Today’s Song: King Princess’ “Let Us Die” Is a Love Song About Letting Go by Eric Schuster
September 15, 2023<September 16, 2023 Atwood Magazine’s Weekly Roundup: September 15, 2023 by Atwood Magazine Staff
September 15, 2023<September 15, 2023 Today’s Song: Opening a Time Capsule for Love in Anabella Paige’s “This I Miss” by Lauren Hicks
September 14, 2023<September 14, 2023 Sydney Sprague’s “Smiley Face” and a Sprightly Stroll Through the Meadows of Feigned Emotions by Guest Writer
September 13, 2023<September 13, 2023 Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm by Mitch Mosk
For the Love of Music
For the Love of Music
