November 4, 2022<November 3, 2022 Today’s Song: blink-182’s “EDGING” Kickstarts a New Era with High Spirits by Isabella Le
November 4, 2022<November 3, 2022 Atwood Magazine’s Weekly Roundup: November 4, 2022 by Atwood Magazine Staff
November 3, 2022<October 30, 2022 Former Jungle Vocalist ANDRO Opens Up in Soul-Stirring “Natural,” a Buoyant & Brooding Embrace of Intimacy by Mitch Mosk
November 2, 2022<November 2, 2022 Today’s Song: Loviet’s Searing “Wide Eyes” Is an Emotionally Charged Love Letter with Teeth by Mitch Mosk
November 1, 2022<March 11, 2023 Trauma, Defiance, & Hope: UK’s Asylums Soar Triumphant on 4th LP, ‘Signs of Life’ by Mitch Mosk
November 1, 2022<October 30, 2022 Olivia Dean’s “Danger” Ignites Lush Soundscapes & Self-Empowerment While Falling Straight into Love by Rachel Leong
October 31, 2022<March 11, 2023 Editor’s Picks 78: Connie Constance, Lyves, ToBy, Holly Humberstone, Hayden Everett, & Runnner! by Mitch Mosk
October 31, 2022<October 29, 2022 London’s Sophie Faith Aches in All the Right Ways on Soulful & Smoldering “Heart Is on My Sleeve” by Mitch Mosk
October 30, 2022<October 29, 2022 Phoebe Bridgers & Elliott Smith Come to Life in Kalina Tyne’s Brutally Honest Indie Folk Anthem by Mitch Mosk
October 29, 2022<October 29, 2022 Post-Hardcore Supergroup L.S. Dunes Debut with “Permanent Rebellion,” a Feverish Uproar of Sonic Fury & Volcanic Energy by Mitch Mosk
October 28, 2022<March 11, 2023 Atwood Magazine’s Weekly Roundup: October 28, 2022 by Atwood Magazine Staff
October 26, 2022<October 25, 2022 Music You Should Know: The Energy and Emotion of Laura Niquay’s ‘Waska Matisiwin’ by Frankie Rose
October 26, 2022<October 25, 2022 Today’s Song: Samia Returns on Angel Wings with “Kill Her Freak Out” by Nasim Elyasi
October 25, 2022<October 26, 2022 Today’s Song: Cherishing Life’s Memories Through Rosemary & Garlic’s Achingly Beautiful “Television” by Mitch Mosk
October 21, 2022<October 22, 2022 Atwood Magazine’s Weekly Roundup: October 21, 2022 by Atwood Magazine Staff