January 10, 2026<January 10, 2026 “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” by Mitch Mosk
January 9, 2026<January 9, 2026 “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” by Mitch Mosk
January 8, 2026<January 8, 2026 “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” by Mitch Mosk
January 7, 2026<January 7, 2026 “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” by Mitch Mosk
January 6, 2026<January 6, 2026 “Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap” by Mitch Mosk
January 5, 2026<January 5, 2026 “If You Go, I Go, Forever”: Stockholm’s Girl Scout Find Kinship, Conviction, & Belonging on “Same Kids” by Mitch Mosk
December 31, 2025<December 31, 2025 Today’s Song: Come Plunge into the Coral Reef (in Your Mind, Anyways) via Alex Breitling’s Immersive “Eternity” by Josh Weiner
December 30, 2025<December 28, 2025 “Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing” by Mitch Mosk
December 29, 2025<December 28, 2025 “You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning by Mitch Mosk
December 22, 2025<December 22, 2025 “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection by Mitch Mosk
December 20, 2025<December 20, 2025 “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” by Mitch Mosk
December 19, 2025<December 19, 2025 “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars by Mitch Mosk
December 18, 2025<January 8, 2026 “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” by Mitch Mosk
December 17, 2025<December 17, 2025 Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” by Chloe Robinson
December 16, 2025<December 15, 2025 “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” by Mitch Mosk