July 22, 2026<July 22, 2026 “Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop by Mitch Mosk
July 21, 2026<July 22, 2026 “I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known by Mitch Mosk
July 20, 2026<July 20, 2026 “Who Owns Who?”: Cara Delevingne Finds Her Voice on the Electrifying, Emotionally Razor-Sharp “Need It” by Danielle Holian
July 18, 2026<July 18, 2026 “Justice, an Obsession”: U2’s “Street of Dreams” Is a Defiant Anthem of Hope and Empowerment for Today’s World by David Buyze
July 17, 2026<July 17, 2026 “Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era by Mitch Mosk
July 16, 2026<July 16, 2026 “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” by Will Yarbrough
July 15, 2026<September 6, 2026 “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs by Mitch Mosk
July 13, 2026<July 13, 2026 “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” by Rachel Leong
July 11, 2026<July 11, 2026 “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane by Jack Batt
July 10, 2026<July 10, 2026 “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart by Mitch Mosk
July 9, 2026<July 9, 2026 “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony by Dusty Hayes
July 8, 2026<July 22, 2026 “Being Liked Is Nice. Being Honest Is Better”: corook Steals Their Power Back on “Kleptomaniac,” a Buoyant Pop Anthem for Choosing Yourself by Mitch Mosk
July 7, 2026<July 7, 2026 “Come On, Let It Out Now”: Houndmouth Unleash the Wild Within on “Tiger Blood,” a Feverish Release of Heat and Raw Animal Instinct by Mitch Mosk
July 6, 2026<July 6, 2026 “The Shadow Is Holy”: WILLOW’s “She’s My Religion” Is a Mesmerizing Hymn to the Divine Feminine by Danielle Holian
July 2, 2026<July 5, 2026 “The Love Is Always There”: Winyah Chase Home, Heart, & the Cost of the Climb on “Rat Race,” a Roaring Indie Rock Anthem for Dreamers Running on Empty by Mitch Mosk
For the Love of Music
For the Love of Music
