February 11, 2026<February 16, 2026 “This Is the Eleventh Hour”: Lia Pappas-Kemps Fires the Flare on “Towers,” a Smoldering Reckoning at the Breaking Point by Mitch Mosk
February 10, 2026<February 10, 2026 “Kill More Monsters”: MX LONELY Banish Their Demons on “Return to Sender,” an Unflinching Alt-Rock Exorcism by Mitch Mosk
February 9, 2026<February 9, 2026 “Time Can Really Run Away”: Louis Oliver Debuts with a Sweeping Piano Ballad Full of Heart, Soul, and Presence by Mitch Mosk
February 8, 2026<February 8, 2026 “As the Lights Smeared”: Rolling Blackouts Coastal Fever Chase the Afterglow on “Sunburned in London” by Ashley Littlefield
February 7, 2026<February 7, 2026 “In the silence between the notes”: Charlotte de Witte Hypnotizes Dark Dancefloors with “The Realm” by Ashley Littlefield
February 6, 2026<February 6, 2026 “I Will Be Your Safe Ground”: Katie Tupper Unleashes Her Smoky, Smoldering, Saskatchewan Soul by Mitch Mosk
February 5, 2026<February 5, 2026 “I’m Better Now That You’re in My Life”: Yumi Zouma Find Love in the Everyday on “Phoebe’s Song,” an Indie Rock Daydream by Mitch Mosk
February 4, 2026<February 4, 2026 Melanie Martinez’s “POSSESSION” Is a Candy-Coated Descent into HADES by Danielle Holian
February 3, 2026<February 2, 2026 Snail Mail’s “Dead End” Makes Heartbreak a Bit More Bearable by Julia Dzurillay
February 2, 2026<February 2, 2026 “I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale by Mitch Mosk
February 1, 2026<February 1, 2026 Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories by Rachel Leong
January 31, 2026<January 31, 2026 Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” by Nicolle Knapová
January 30, 2026<January 29, 2026 “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History by Atwood Magazine Staff
January 29, 2026<January 29, 2026 “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home by Mitch Mosk
January 28, 2026<January 28, 2026 “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too by Mitch Mosk
For the Love of Music
For the Love of Music
