March 30, 2022<March 30, 2022 “Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry by Guest Writer
March 30, 2022<March 30, 2022 Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond by Guest Writer
March 30, 2022<March 30, 2022 “Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music by Guest Writer
March 29, 2022<March 29, 2022 Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month by Guest Writer
March 29, 2022<March 29, 2022 “Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood by Guest Writer
March 25, 2022<March 25, 2022 “Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond by Guest Writer
March 24, 2022<March 24, 2022 “Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry by Guest Writer
March 18, 2022<March 18, 2022 Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry by Guest Writer
March 16, 2022<March 16, 2022 Essay: Singer/Songwriter Liddy Clark on Women’s History Month by Guest Writer
March 14, 2022<March 14, 2022 “You Can Keep Your Seat at The Table”: Lou Ridley’s Love Letter to the Real Power by Guest Writer
March 10, 2022<March 10, 2022 Women to the Front: The Elephant Trees’ Martha Phillips on Inclusivity & Creating Spaces in the Music Industry by Guest Writer
March 8, 2022<March 8, 2022 Essay: Country Singer/Songwriter Casi Joy on Women’s History Month by Guest Writer
March 31, 2021<March 31, 2021 Feature: An Exploration into Adult Swim’s Magnum ‘Opus’ by Adrian Vargas
March 31, 2021<March 31, 2021 Atwood Magazine Celebrates Women’s History Month 2021, Pt. VIII by Staff
For the Love of Music
For the Love of Music
