December 13, 2023<December 13, 2023 Interview: Meet Movie Club, a Venice Beach Duo Chomping Down Hard with New LP ‘Great White’ by Josh Weiner
December 13, 2023<December 13, 2023 “It felt like making an album in Xanadu”: Phoenix’s Thomas Mars on ‘Alpha Zulu,’ Recording Music in The Louvre, & More by Mitch Mosk
December 12, 2023<December 12, 2023 Track-by-Track: Slow Leaves Weaves a Love Letter to Life Itself on 5th LP ‘Meantime,’ a Glistening, Golden Folk Dream by Mitch Mosk
December 12, 2023<December 12, 2023 Feature: Squirrel Flower’s Ella Williams Unpacks the Passion, Raw Fervor, & “Heavy Witch Rock” of ‘Tomorrow’s Fire’ by Mitch Mosk
December 12, 2023<December 12, 2023 Feature: Bear’s Den Reflect on a Decade of Intimate Songwriting & Unpack Their ‘White Magnolias’ EP by Mitch Mosk
December 11, 2023<December 20, 2023 “Everyone’s a Child”: Girl Scout’s Fire Burns Bright on ‘Granny Music,’ Their Sonically Charged Sophomore EP by Mitch Mosk
December 8, 2023<December 8, 2023 Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’ by Mitch Mosk
December 8, 2023<December 8, 2023 Track-by-Track: Luke Beling Unpacks the Tension, Pain, & Hope of Debut Album ‘A Stone in the Mouth of the Ocean’ by Mitch Mosk
December 8, 2023<December 11, 2023 “I feel like I did when I was 16 again”: Coyle Girelli Rides High in ‘Museum Day,’ an Album-Sized Ode to NYC by Mitch Mosk
December 8, 2023<December 8, 2023 Interview: Neru Thee Fourth Fugee Is a Baltimore Native Looking to Make Her New Jersey Idols Proud by Josh Weiner
December 7, 2023<December 7, 2023 Track-by-Track: Wish Queen Crafts a Cathartic Dreamworld in ‘Saturnalia,’ Her Transformative Debut Album by Mitch Mosk
December 6, 2023<December 6, 2023 Track-by-Track: S. L. Houser Flourishes on Liberating Debut Solo EP ‘Hibiscus’ by Marissa DeLeon
December 6, 2023<December 11, 2023 “This record is all about love’s humanity”: Stephen Sanchez Is Making Hopeless Romance Cool Again With ‘Angel Face’ by Mitch Mosk
December 5, 2023<December 5, 2023 “Cinematic, Percussive, & Heavy”: Tim Atlas Dives Headfirst into the Night With ‘Le Soir’ EP by Mitch Mosk
December 5, 2023<December 8, 2023 Interview: Haux Finds His Own “Carte Blanche” in an Embrace of Ethereal Joie de Vivre by Mitch Mosk
For the Love of Music
For the Love of Music
