November 2, 2023<November 2, 2023 Colorful, Ambient, & Orange: Lydia Luce Embraces Her Inner ‘Florida Girl’ on Intimate & Vulnerable Third LP by Mitch Mosk
November 1, 2023<November 1, 2023 Catharsis, Honesty, & Healing: Rett Madison Leans into Grief on ‘One for Jackie,’ Her Soul-Stirring Sophomore LP by Mitch Mosk
October 31, 2023<October 31, 2023 “A Warm and Safe Space”: Maple Glider Is Vulnerable, Raw, & Exposed on ‘I Get into Trouble,’ Her Breathtaking Sophomore Album by Mitch Mosk
October 31, 2023<October 31, 2023 Interview: “Floated By” Boasts the Eclectic Charm of Peter Cat Recording Co. by Miles Campbell
October 31, 2023<October 31, 2023 “Working up to the ultimate artist project”: Getting to Know My Friend Shawn by Laurent Chavannes
October 30, 2023<November 1, 2023 “I’m just a primitive archetype”: The Funk & Fire Within Japan, Man’s Coming-of-Age Debut Album, ‘Metropolis’ by Mitch Mosk
October 27, 2023<October 27, 2023 “This just feels like a real celebration of life”: Join FIZZ on Their Journey to Finding ‘The Secret to Life’ by Nasya Blackshear
October 26, 2023<October 26, 2023 Nostalgia, Optimism, & Love Songs to My Girlfriend’s Dog: A Conversation with Jaguar Sun by Kate Millar
October 25, 2023<October 25, 2023 Interview: From Dramatic Moments to Memorable Sonics, Fake Dad Dish It All by Chloe Robinson
October 24, 2023<October 25, 2023 Feature: Sarah Klang’s ‘Mercedes’ Is a Cinematic & Stunningly Soulful Coming of Age by Mitch Mosk
October 24, 2023<October 23, 2023 Soul-Searching in Song: An Interview with Irish Indie Pop Band milk. by Mitch Mosk
October 23, 2023<October 24, 2023 Sassy, Sentimental, & Radical Chic: From Italy to Philly, Santa Chiara’s ‘IMPORTED’ Tells Stories of Love & Life by Mitch Mosk
October 20, 2023<October 27, 2023 Atwood Magazine’s Weekly Roundup: October 20, 2023 by Atwood Magazine Staff
October 20, 2023<October 29, 2023 Feature: Dive Headfirst into shallow pools’ Urgent, Empowering, & Irresistible Debut Album ‘I Think About It All the Time’ by Mitch Mosk