January 6, 2023<January 6, 2023 Interview: The Snuts Guitarist Joe McGillveray Muses on His Musical Past, Present, & Future by Andrew Daly
January 5, 2023<January 10, 2023 Feature: The Escapist Fantasy of La Femme’s ‘Teatro Lúcido’ by Lilly Eason
January 5, 2023<January 17, 2023 Interview: Markéta Irglová’s Roots Go Deep on Beautifully Vulnerable Album ‘Lila’ by Nasim Elyasi
January 4, 2023<January 5, 2023 “It Felt Like a Birth”: EMELINE on Her Explosive Debut and Latest Single, “Venting to Strangers” by Nic Nichols
December 20, 2022<April 26, 2023 Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN” by Mitch Mosk
December 20, 2022<December 20, 2022 “I’m trying to keep rock and roll alive”: Andy Frasco on the Most Important Song He’s Ever Written by Nick Polak
December 19, 2022<January 7, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 3 by Atwood Magazine Staff
December 16, 2022<December 16, 2022 Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’ by Mitch Mosk
December 15, 2022<December 15, 2022 “There’s no better time to be in a punk band”: Mannequin Pussy’s Marisa Dabice Talks Generational Anger, Music, & More by Michael Greco
December 14, 2022<December 28, 2023 Wembley Dreams: Young Shredder Jasmine Star on Guitar, TikTok, New Music & More by Andrew Daly
December 14, 2022<March 11, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 2 by Atwood Magazine Staff
December 13, 2022<December 14, 2022 Interview with Boogie Belgique: A DJ Set Takes Orchestra Form, with Some Investigative Reporting Influence Tossed In by Josh Weiner
December 12, 2022<December 12, 2022 Interview: Aidan Bissett Discusses His Fun, Fiery & Heartfelt Debut EP ‘I’m Alright If You’re OK’ by Kelly McCafferty Dorogy
December 7, 2022<December 7, 2022 “How the Light Felt”: The Radiant, Raw Glow of Smut’s Hopeful, Cathartic, & Dynamic Debut Album by Mitch Mosk
December 6, 2022<December 6, 2022 Sucker for Stars: Ireland’s The Burma Soar with Cinematic & Sweltering Indie Rock Debut by Mitch Mosk
For the Love of Music
For the Love of Music
