• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Claire Meyer

Claire Meyer

Claire studied linguistics and neuroscience at the University of Virginia. She has a deep love of music, movies, and making her friends laugh, and she never takes herself too seriously. Feeling lost and aimless post-graduation, she decided on a whim to become a music journalist, and the rest, as they say, will be history.

Girl and Girl © James Caswell
Features, Interviews, MusicJune 5, 2024<June 5, 2024

Channeling Dramatics: Girl and Girl’s Kai Aubort Talks Debut Album ‘Call a Doctor,’ Mental Health, & Theatrics

Royel Otis © Alex Wall
Debut, Features, Interviews, MusicMarch 28, 2024<March 28, 2024

Stripping Songs Down to Their Simplest Parts: A Conversation with Royel Otis

GUTS - Olivia Rodrigo
Music, ReviewsOctober 18, 2023<October 18, 2023

Olivia Rodrigo Spills Her ‘GUTS’ in New Album, Tapping into Fears of Youth, Aging, & Heartbreak

Puma Blue © Olivia Han
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Exploring the Shadows of Music with Puma Blue

Steve Lacy "Helmet" still
Columns, Music, Today's SongAugust 21, 2023<August 21, 2023

Today’s Song: Steve Lacy’s “Helmet” is an Upbeat Anthem for Calling Things Off & Moving On

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later
Essays, Music, ReviewsJuly 10, 2023<July 10, 2023

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later

Dizzy © Boy Wonder
Features, Interviews, MusicMay 18, 2023<May 18, 2023

Putting Their Foot Down: Dizzy’s Katie Munshaw Talks Dogs, Adulthood, Maturity, & the Band’s Bold Third Album

The Backseat Lovers' "Snowbank Blues" music video still
Columns, Music Videos, Today's SongMay 9, 2023<May 9, 2023

The Backseat Lovers’ “Snowbank Blues” Is a Heavy Farewell to Childhood in the Process of Greeting Adulthood

Hippo Campus © Shervin Lainez
Columns, Music, Today's SongMarch 20, 2023<April 30, 2023

Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus

Annie DiRusso © Neil Shukla
Debut, Music, ReviewsMarch 9, 2023<April 30, 2023

Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity

Brotherkenzie © Brit O’Brien
Columns, Music, Today's SongMarch 1, 2023<April 30, 2023

Today’s Song: Brotherkenzie’s Hopeful “SPRING PEELS” Is an Ode to the Relief That Comes from Breaking Off Toxic Relationships

Recent Posts

  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
  • “My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie September 28, 2026
  • Atwood Magazine’s Weekly Roundup: September 25, 2026 September 25, 2026
  • “You Can’t Scrub Women From History”: Lindsay Lou Puts Women Back in the Bluegrass Circle with ‘Bluegrass Women’ September 25, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services