September 17, 2024<September 17, 2024 Premiere: William Harries Graham Encompasses the Early Morning Mood With “On the Outside” by Frankie Rose
September 17, 2024<September 17, 2024 “Being One With What You Make”: Ashton Irwin of 5 Seconds of Summer Traverses Passion, Philosophy, and Artistic Identity on ‘BLOOD ON THE DRUMS’ by Isabella Le
September 17, 2024<September 17, 2024 Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool by Christine Buckley
September 16, 2024<September 18, 2024 Atwood Magazine’s Weekly Roundup: September 16, 2024 by Atwood Magazine Staff
September 16, 2024<September 16, 2024 “There’s beauty and fascination in depression and darkness, but at the same time, there’s lightness and levity”: Cults Discuss Their New Album, ‘To the Ghosts’ by Marc Maleri
September 14, 2024<September 15, 2024 Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On by Emma Schoors
September 13, 2024<September 27, 2024 “The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance by Mitch Mosk
September 13, 2024<September 13, 2024 “Everything’s here and nothing’s lost”: Snow Patrol Continue to Write Their Legacy on Spellbinding ‘The Forest Is The Path’ by Aaron Childree
September 13, 2024<September 13, 2024 Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others by Mitch Mosk
September 13, 2024<September 13, 2024 Track-by-Track: Earthquake Lights Explore Self-Reflection in ‘Signs of Life’ by Joe Beer
September 12, 2024<September 12, 2024 “All Bets Are Off”: Brooklyn’s Awksymoron Premiere a Hopeful Ode to Life, Friendship, & Uncertainty by Mitch Mosk
September 12, 2024<October 9, 2024 “The sky isn’t only smoke, child”: The Heartfelt Hope & Dreamy Heat of Amanda Bergman’s “All Over Town” by Mitch Mosk
September 12, 2024<September 12, 2024 “Leave It All at the Door, I’ll Show You”: Setting Los Angeles Alight With Bad Nerves by Emma Schoors
September 12, 2024<September 12, 2024 Interview: Maddie Regent Is Both a “Recovering Overachiever” and a Conscious Pop Star on the Rise by Noah Wade
September 12, 2024<September 12, 2024 Premiere: Party Nails Reconnects With Her Younger Self on Easygoing “Same Old Song” by Frankie Rose
For the Love of Music
For the Love of Music
