July 25, 2025<August 4, 2025 Atwood Magazine’s Weekly Roundup: July 25, 2025 by Atwood Magazine Staff
July 25, 2025<July 25, 2025 Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’ by Mitch Mosk
July 25, 2025<July 25, 2025 Interview with Jazzie Young: Playing With Changes and Layering Them Atop Indie Pop Beats by Josh Weiner
July 25, 2025<July 25, 2025 Interview: Bella Rios Finds Her Voice in ‘Right Now,’ a Pop-Rock Diary of Growing Up and Letting Go by Aileen Goos
July 25, 2025<July 25, 2025 Today’s Song: “Crashing The Car” and Falling into Love with Blair Davie’s Intimate New Single by Aileen Goos
July 24, 2025<July 24, 2025 “I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World by Mitch Mosk
July 24, 2025<July 28, 2025 Premiere: Joe Ramsey Reflects on Time, Purpose, & Presence in “Mornings,” a Stirring Indie Folk Reckoning by Mitch Mosk
July 24, 2025<July 24, 2025 “I wanted this record to sound like truth”: Charlotte OC Reclaims Herself on ‘Seriously Love, Go Home,’ a Record of Reckoning, Release, & Hard-Won Clarity by Mitch Mosk
July 24, 2025<July 24, 2025 “Gentle Songs for a Loud World”: Stars’ Amy Millan Shines on ‘I Went to Find You,’ a Spiritual & Spellbinding Solo Album Rooted in Memory, Grief, & Grace by Mitch Mosk
July 24, 2025<July 25, 2025 Interview: Post Animal on Friendship, Nostalgia, and Their Latest Album, ‘Iron’ by Mariam Bagdady
July 24, 2025<July 24, 2025 Dream Logic and Delicate Ache: Kaleah Lee’s “Fever” Is a Liminal Lullaby by Nicolle Knapová
July 23, 2025<July 23, 2025 “Dear You, It’s Me”: The Rebirth of Harry Hudson Taylor, Embracing Vulnerability, and Artistic Transformation by Danielle Holian
July 23, 2025<July 23, 2025 Premiere: Olina’s “Newspaper Smell” Is a Raw, Raucous Reckoning with Class, Chaos, & First-Gen Dread by Mitch Mosk
8.7 July 23, 2025<July 23, 2025 Our Take: Jessie Murph Pushes Her Boundaries, and Ours, on Sophomore Album ‘Sex Hysteria’ by Emily Frances Algar
July 23, 2025<July 24, 2025 Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs by Mitch Mosk
For the Love of Music
For the Love of Music
