May 8, 2024<May 8, 2024 “Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album by Mitch Mosk
May 8, 2024<May 8, 2024 “Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth by Mitch Mosk
May 8, 2024<May 8, 2024 “It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’ by Mitch Mosk
May 8, 2024<May 8, 2024 Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’ by Oliver Crook
May 8, 2024<May 8, 2024 STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level by Guest Writer
May 8, 2024<May 8, 2024 Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot by Emma Rayder
May 7, 2024<May 7, 2024 Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)” by Joe Beer
May 7, 2024<May 7, 2024 “Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut by Mitch Mosk
May 7, 2024<May 7, 2024 “A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy by Mitch Mosk
May 7, 2024<May 7, 2024 Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’ by James Crowley
May 6, 2024<May 6, 2024 ‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP by Mitch Mosk
May 6, 2024<May 6, 2024 “Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity by Mitch Mosk
May 6, 2024<May 6, 2024 Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal by David Buyze
May 6, 2024<May 6, 2024 “A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’ by Em Tomeo
For the Love of Music
For the Love of Music
