December 20, 2023<December 20, 2023 Interview: Raleigh’s Truth Club on Genre, Inspiration, & the Spice of Variety by Guest Writer
8.6 December 19, 2023<December 19, 2023 Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’ by Josh Weiner
December 19, 2023<December 20, 2023 Interview: Akenya on Self-Mythology, Astrology, and New Single “Hades Moon” by Mariel Fechik
December 18, 2023<December 18, 2023 Lil Dicky Shoots His Shot in “Mr. McAdams,” the Charmingly Smooth Lead Single Off ‘PENITH (The DAVE Soundtrack)’ by Mitch Mosk
December 18, 2023<December 19, 2023 Today’s Song: Kid Prexy Strikes a Chord of Teenage Bliss on Rapturous Pop-Punk Banger “I Think That You’re Pretty” by Grace Holtzclaw
December 18, 2023<January 9, 2025 “Christmas is an emotional treasure chest”: Switchfoot’s Jon Foreman on Finding the Holiday Spirit With ‘this is our Christmas album’ by Mitch Mosk
December 18, 2023<December 18, 2023 “I can literally smell Christmas is coming”: Joss Stone Wishes All a ‘Merry Christmas, Love’ on Her Classic, Soulful Christmas Album by Mitch Mosk
December 18, 2023<December 21, 2023 Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 1! by Atwood Magazine Staff
December 17, 2023<December 15, 2023 Today’s Song: Quinn Sullivan Kicks Off New Era With “Salvation (Make Me Wanna Pray)” by Noah Wade
December 16, 2023<December 16, 2023 Podcast: Tunes & Tumblers Features Oh Land and the You Soup by Atwood Magazine Staff
December 16, 2023<December 15, 2023 Johnny Orlando Ends ‘The Ride’ With “Close to You” & “Thinking of Me,” a Poignant & Vulnerable Production by Lauren Hicks
December 15, 2023<December 16, 2023 Atwood Magazine’s Weekly Roundup: December 15, 2023 by Atwood Magazine Staff
December 15, 2023<December 15, 2023 Track-by-Track: Firewoodisland Enchant & Inspire on Achingly Intimate EP, ‘As Long As I Go’ by Mitch Mosk
For the Love of Music
For the Love of Music
