December 1, 2023<December 1, 2023 “Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion by Mitch Mosk
December 1, 2023<December 2, 2023 “I’m Just Trying to Keep the Letter Alive”: The Preservation of Humanity in Charlie Mars’ Latest Album ‘Times Have Changed’ by Lauren Hicks
December 1, 2023<December 1, 2023 Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom” by Mitch Mosk
December 1, 2023<December 1, 2023 Atwood Magazine’s Weekly Roundup: December 1, 2023 by Atwood Magazine Staff
November 30, 2023<November 30, 2023 Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust” by Mitch Mosk
November 30, 2023<November 30, 2023 Interview with Jauz, a Part-Wise, Part-Wicked, All-Talented EDM Machine by Josh Weiner
November 30, 2023<November 30, 2023 Interview: Maudlin Strangers’ Jake Hays Gets Deep on Addiction, Tour Stories, New Music, & More by Chloe Robinson
November 30, 2023<November 30, 2023 Interview: Blind Pilot’s Israel Nebeker Discusses Two New Albums in 2024 by Mitch Mosk
November 30, 2023<November 30, 2023 Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness by Mitch Mosk
November 29, 2023<November 29, 2023 Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity” by Mitch Mosk
November 29, 2023<November 29, 2023 Review: Psychedelic Porn Crumpets’ ‘Fronzoli’ Takes Listeners Through a Fast, Chaotic, and Maximal Kaleidoscope of Textured Sound by Guest Writer
November 29, 2023<November 29, 2023 Interview: Clementine Creevy of Cherry Glazerr’s “Freeing and Liberating” Musical Process in ‘I Don’t Want You Anymore’ by Minna Abdel-Gawad
November 29, 2023<November 29, 2023 Today’s Song: The Scuzzy Seduction of two blinks, i love you’s “sentiment” by Mitch Mosk
November 29, 2023<November 29, 2023 Premiere: Tafari Anthony Dives into Love on Empowering Debut Album ‘When I Met Your Girlfriend’ by Mitch Mosk
November 28, 2023<December 1, 2023 “No filter, no filler, just love”: Meet Dweller, Your New Favorite Indie Supergroup by Mitch Mosk
For the Love of Music
For the Love of Music
