November 1, 2023<November 1, 2023 Catharsis, Honesty, & Healing: Rett Madison Leans into Grief on ‘One for Jackie,’ Her Soul-Stirring Sophomore LP by Mitch Mosk
November 1, 2023<November 1, 2023 Review: Squirrel Flower Puts It All Out There in Shimmering Third Album, ‘Tomorrow’s Fire’ by Rachel Leong
November 1, 2023<November 1, 2023 “There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye” by Marissa DeLeon
October 31, 2023<October 31, 2023 His Beautiful Dark Twisted Melancholy: LA’s Lee Lewis Bares His Soul on Lovelorn Debut Single “Willing & Able” by Mitch Mosk
October 31, 2023<November 1, 2023 “I wanted to explore the person I was becoming”: Teddy Geiger Premieres ‘Teresa,’ an Album of Transition, Reconnection, & Self-Discovery by Mitch Mosk
October 31, 2023<October 31, 2023 “A Warm and Safe Space”: Maple Glider Is Vulnerable, Raw, & Exposed on ‘I Get into Trouble,’ Her Breathtaking Sophomore Album by Mitch Mosk
October 31, 2023<October 31, 2023 Interview: “Floated By” Boasts the Eclectic Charm of Peter Cat Recording Co. by Miles Campbell
October 31, 2023<October 31, 2023 “Working up to the ultimate artist project”: Getting to Know My Friend Shawn by Laurent Chavannes
October 30, 2023<November 1, 2023 “I’m just a primitive archetype”: The Funk & Fire Within Japan, Man’s Coming-of-Age Debut Album, ‘Metropolis’ by Mitch Mosk
October 30, 2023<January 6, 2024 Guilty Pleasures? There’s No Such Thing: A Defense of John Mayer by Aidan Moyer
October 30, 2023<October 30, 2023 “Eyes on the Prize”: The Revolutionary Energy of Ethan Buckner’s Anthemic, Emotionally Charged Debut Single by Mitch Mosk
October 29, 2023<October 29, 2023 Today’s Song: BADBADNOTGOOD & Charlotte Day Wilson Reawaken Their Exceptional Partnership for Silky “Sleeper” by Kendall Graham
October 27, 2023<October 28, 2023 Atwood Magazine’s Weekly Roundup: October 27, 2023 by Atwood Magazine Staff
October 27, 2023<October 27, 2023 Jazmin Bean’s “Terrified” Channels ’90s Britpop into an Anthem of Love’s Breathtaking Beauty by Mitch Mosk
For the Love of Music
For the Love of Music
