October 18, 2023<October 24, 2023 Podcast: Tunes & Tumblers Features The Bobby Lees and a Junkyard Juice (ft. Macky Bowman) by Atwood Magazine Staff
October 18, 2023<October 17, 2023 Track-by-Track: Ricky Montgomery’s ‘Rick’ Is a Big, Bold Record With Big, Raw Feelings by Mitch Mosk
October 17, 2023<October 17, 2023 Live Review: Katelyn Tarver Brings an Intimate Energy to Houston on Her Compliments Only Tour by Kelly McCafferty Dorogy
October 17, 2023<October 17, 2023 EP Premiere: Ursa Major Revelation Debut With ‘Big Baby,’ a Seductive Futurepop Reverie by Mitch Mosk
October 16, 2023<October 16, 2023 Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’ by Mitch Mosk
October 16, 2023<October 16, 2023 Doja Cat’s ‘Scarlet’ Is a Rap-Centric Pivot for the Superstar by Eric Schuster
October 15, 2023<October 15, 2023 Today’s Song: Mike Sabath’s “Life” Is an Honest Offering That Will Resonate With Us All by Chloe Robinson
October 14, 2023<October 14, 2023 Today’s Song: Last Dinosaurs Melt Hearts With New Single “Walking on Ice” by Julia Dzurillay
October 13, 2023<October 13, 2023 Interview: ‘Lost at Sea’ with Rob Grant, Lana Del Rey’s Ambient Music-Making Father by Mitch Mosk
October 13, 2023<October 16, 2023 Atwood Magazine’s Weekly Roundup: October 13, 2023 by Atwood Magazine Staff
October 12, 2023<October 12, 2023 Melancholy, Warmth, & Relaxation: Robert Kretzschmar’s Debut Album Is a Beautifully Tender Alt-Folk ‘Homecoming’ by Mitch Mosk
October 12, 2023<October 12, 2023 Album Review: Annalisa’s ‘E POI SIAMO FINITI NEL VORTICE’ at the Edge of the World by David Buyze
October 12, 2023<October 12, 2023 Artist to Watch: Getting Vulnerable With Katie Gregson-MacLeod’s Aching Anthem, “Your Ex” by Mitch Mosk
October 12, 2023<April 24, 2024 Premiere: The Raw Ache, Weight, & Intimacy of Jordan Lindley’s Love Song, “Me & The Spiders” by Mitch Mosk
For the Love of Music
For the Love of Music
