September 6, 2024<September 6, 2024 ‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album by Emma Rayder
September 6, 2024<September 6, 2024 Interview: TENDER Showcase Musical Range and Intimate Lyrics on Mesmerizing New Album ‘FLUX’ by Aaron Childree
September 5, 2024<September 5, 2024 “A burning desire”: Basking in the Sweet, Sweaty Heat of Trace Mountains’ 7-Minute Reverie, “In a Dream” by Mitch Mosk
September 5, 2024<September 5, 2024 Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’ by Mitch Mosk
September 5, 2024<September 5, 2024 Quenching the Thirst of All Indie Rock Lovers, Wishy’s ‘Triple Seven’ Offers a Ten-Course Tasting Menu of Delicious Hooks & Scrumptious Bites by Kevin Cost
September 5, 2024<September 6, 2024 God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’ by Will Yarbrough
September 5, 2024<September 5, 2024 Wonderful Light, We Set the Scene: Dhani Harrison Takes the INNERSOUNDSTAGE by Aidan Moyer
September 4, 2024<September 4, 2024 “Before you came ’round my heart would never beat much faster”: Oh Wonder Revisit Their Breathtaking Debut Single With “Body Gold (10 Years On)” by Mitch Mosk
September 4, 2024<September 4, 2024 Reflective, Unflinching, & Palpable: Sloan Golden Debuts With Intimacy, Intentionality, and ‘Long Conversations’ by Mitch Mosk
September 4, 2024<September 4, 2024 “Hi, How Are You?”: Hinds Reintroduce Themselves on Danceable & Unforgettable New Album ‘VIVA HINDS’ by Aaron Childree
September 4, 2024<September 4, 2024 Roundtable Discussion: A Review of Sabrina Carpenter’s ‘Short n’ Sweet’ by Atwood Magazine Staff
September 2, 2024<September 4, 2024 Atwood Magazine’s Weekly Roundup: September 2, 2024 by Atwood Magazine Staff
September 1, 2024<September 1, 2024 “I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction by Mitch Mosk
August 31, 2024<August 31, 2024 “This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages by Mitch Mosk
August 30, 2024<August 30, 2024 “A reintroduction to me as a human and as an artist”: Tim Atlas Unpacks ‘Enchanté,’ His Ambitiously Bold Debut LP by Mitch Mosk
For the Love of Music
For the Love of Music
