November 16, 2018<November 16, 2018 EP Review: Age.Sex.Location Immerse & Enthrall with ‘ASL 2 Cabin’ by Mitch Mosk
November 15, 2018<August 5, 2021 Review: Adé Hakim’s ‘On to Better Things’ Pushes Hip-Hop’s Sound into the Unknown by Atwood Magazine Staff
November 14, 2018<February 20, 2019 EP Premiere: Sharaya Summers’ Rich, Raw, and Dreamy Debut ‘Bend Before We Break’ by Mitch Mosk
November 12, 2018<November 12, 2018 Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album by Lindsay Call
7.9 November 8, 2018<October 16, 2024 Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’ by Josh Weiner
October 31, 2018<November 9, 2018 Interview: Henry Jamison’s Inspiring & Transcendent “Gloria” by Mitch Mosk
October 30, 2018<October 30, 2018 EP Premiere: DYLN’s Darkness Shines in Stunning Debut ‘Chapter 1: The Truth’ by Mitch Mosk
October 29, 2018<November 8, 2018 Album Review: BROCKHAMPTON Shine with ‘iridescence’ by Atwood Magazine Staff
October 26, 2018<October 26, 2018 Sink Your Teeth into the Juicy, Soulful Sound of The West Coast Feed by Carolyn Fasone
October 24, 2018<October 26, 2018 Album Premiere: Alae Emerge with Intimate & Effortless Debut ‘Henry Street’ by Mitch Mosk
October 23, 2018<October 23, 2018 Our Take: Alexandra Stréliski’s ‘INSCAPE’ Is a Melancholic, Bright Step Towards Finding Hope by Adrian Vargas
October 22, 2018<October 22, 2018 EP Premiere: The Poetic Vulnerability of IMOGEN’s Breathtaking Debut ‘Faze Green’ by Mitch Mosk
October 19, 2018<October 19, 2018 Venture into Kramies’ Abstract Personal Diary, ‘Of All the Places Been & Everything the End’ by Mitch Mosk
October 19, 2018<October 19, 2018 From ‘Lush’ to ‘Be the Cowboy’: Along for the Ride of Mitski’s Evolution by Jesse Herb
October 18, 2018<October 18, 2018 Premiere: Prinze George Take Flight with Bold, Bright ‘Airborne’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
