May 17, 2024<May 22, 2024 Track-by-Track: Victoria Victoria Hurts So Good in ‘Sweetest Ache,’ an Album of Angst, Soul-Searching, & Soothing Pop Songwriting by Mitch Mosk
May 17, 2024<May 17, 2024 Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’ by Mitch Mosk
May 16, 2024<May 16, 2024 “The margarita pizza of my music career”: Mat Kearney Is All-In on His Self-Titled Eighth Album by Mitch Mosk
May 15, 2024<May 15, 2024 ‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album by Mitch Mosk
May 15, 2024<May 15, 2024 “I’ll give you my head, my heart, my bones”: Devon Trio Tors Embrace Honesty & Intimacy in Heartfelt ‘Miracle’ EP by Mitch Mosk
May 13, 2024<May 13, 2024 Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album by Mitch Mosk
May 10, 2024<May 10, 2024 “Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility by Mitch Mosk
May 10, 2024<May 10, 2024 “A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning by Mitch Mosk
May 10, 2024<May 14, 2024 “Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’ by Mitch Mosk
May 9, 2024<May 9, 2024 “Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection by Mitch Mosk
May 9, 2024<May 9, 2024 “A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High by Mitch Mosk
May 9, 2024<May 9, 2024 Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind by Mitch Mosk
May 8, 2024<May 8, 2024 “Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album by Mitch Mosk
May 8, 2024<May 8, 2024 “Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth by Mitch Mosk
May 8, 2024<May 8, 2024 “It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’ by Mitch Mosk
For the Love of Music
For the Love of Music
