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Minna Abdel-Gawad

Minna Abdel-Gawad

Minna Abdel-Gawad (she/her) is an Egyptian British writer currently pursuing a Journalism degree at Emerson College. She has always had a passion for music and how it can speak to people, so melding her love of writing with music is the perfect pairing. She loves sharing the stories of those she interviews and passionately writing about songs that speak to her. When she is not fervently writing, creating playlists on Spotify or attending any concert she can get to Minna can be found thrifting, reading, crocheting and watching rom-coms. Minna can be reached at minna.abdelgawad@gmail.com and @minna.ag on Instagram!

Billie Marten © Katie Silvester
Features, Interviews, MusicApril 7, 2023<April 30, 2023

Interview: Billie Marten Is Radically Open in Her Fourth Album ‘Drop Cherries’

Phoneboy © Walter Orellana
Features, Interviews, MusicMarch 24, 2023<April 30, 2023

Interview: NJ’s Phoneboy Are Moving Up & ‘Moving Out’ with Their Sophomore Album

Beach Fossils © Sinna Nasseri
Columns, Music, Today's SongMarch 14, 2023<April 30, 2023

Today’s Song: Beach Fossils Return From Hiatus with Surf Rock Track, “Don’t Fade Away”

Billie Marten © Katie Silvester
Columns, Music, Today's SongFebruary 7, 2023<February 7, 2023

Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move”

Lowertown © Shervin Lainez
Debut, Features, Interviews, MusicJanuary 19, 2023<January 23, 2023

Interview: Lowertown Share Their Raw, Unfiltered Truths in Debut Album ‘I Love to Lie’

Matilda Mann & Spill Tab © 2023
Columns, Music, Today's SongJanuary 12, 2023<January 12, 2023

Today’s Song: “Borderline Insane” Is Matilda Mann & spill tab’s Irresistible Grunge Pop Anthem

Honey Moon © Andreia Lemos
Columns, Music, Today's SongDecember 5, 2022<December 5, 2022

Married to the Mob: Honey Moon’s Rendezvous with Bossa in “Amour Fou”

Recent Posts

  • Today’s Song: Dublin’s The Fae Debut with Raw Passion on “Chloe,” a Loving Message to a Friend in Need May 26, 2023
  • Atwood Magazine’s Weekly Roundup: May 26, 2023 May 26, 2023
  • “Where do I look?”: An Essay by Yueku for AAPI Heritage Month May 25, 2023
  • Interview: Charlie Hall Floats Through Lovely Soundscapes on Debut Solo Album ‘Invisible Ink’ May 25, 2023
  • Interview: Blake Ruby’s Intimate, Sincere Take on Nurturing Love May 25, 2023
  • Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval May 25, 2023
  • Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’ May 24, 2023
  • Live Review: Suga of BTS Takes Over the Kia Forum for 3 Unforgettable Sold-Out Nights in Los Angeles! May 24, 2023
  • Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie May 24, 2023
  • Interview: Queer Synth Meets ’80s Electropop in John Roberts’ “DANGER” May 24, 2023
© Atwood Magazine 2023 For the Love of Music
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    • Nostalgia Tracks
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