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Movie Club © Bobby Rivero
Interviews, MusicDecember 13, 2023<December 13, 2023

Interview: Meet Movie Club, a Venice Beach Duo Chomping Down Hard with New LP ‘Great White’

by Josh Weiner
Phoenix pose against a familiar backdrop © Shervin Lainez
Features, Interviews, MusicDecember 13, 2023<December 13, 2023

“It felt like making an album in Xanadu”: Phoenix’s Thomas Mars on ‘Alpha Zulu,’ Recording Music in The Louvre, & More

by Mitch Mosk
Bad Veins © 2023
Columns, Music, Today's SongDecember 13, 2023<December 13, 2023

Bad Veins Soar in Heartache-Fueled Synth-Pop Singalong “Wendy” & Third LP ‘Imposter’

by Mitch Mosk
Meantime - Slow Leaves
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Track-by-Track: Slow Leaves Weaves a Love Letter to Life Itself on 5th LP ‘Meantime,’ a Glistening, Golden Folk Dream

by Mitch Mosk
Squirrel Flower © Alexa Viscius
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Squirrel Flower’s Ella Williams Unpacks the Passion, Raw Fervor, & “Heavy Witch Rock” of ‘Tomorrow’s Fire’

by Mitch Mosk
GIYA © Lennon Gregory
Columns, Music, Today's SongDecember 12, 2023<December 12, 2023

Today’s Song: GIYA’s Soul-Soaked “spin the record” Aches With a Dreamy, Warm & Wistful Weight

by Mitch Mosk
Bear's Den © Bennie Curnow
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Bear’s Den Reflect on a Decade of Intimate Songwriting & Unpack Their ‘White Magnolias’ EP

by Mitch Mosk
Girl Scout © Alvin Lindblom
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 11, 2023<December 20, 2023

“Everyone’s a Child”: Girl Scout’s Fire Burns Bright on ‘Granny Music,’ Their Sonically Charged Sophomore EP

by Mitch Mosk
denn. © Emma Pilkington Mead
Artist to Watch, Columns, Music, Today's SongDecember 11, 2023<December 11, 2023

Artist to Watch: NYC’s denn. Channels Raw Emotion into a Hot-on-the-Mic Fever Dream With “uh uh uh uh UH?”

by Mitch Mosk
Tim Atlas © Paigge
Columns, Music, Today's SongDecember 10, 2023<December 10, 2023

Today’s Song: Tim Atlas Falls for the Seasonal Crush in Daydreamy & Hazy “The Deceiving”

by Sofia Sar
Hannah Diamond, self-portrait © Carina Kehlet Schou
Columns, Music, Today's SongDecember 9, 2023<December 9, 2023

Today’s Song: Hannah Diamond Shimmers on Her Nostalgia-Soaked “Perfect Picture”

by Jaclyn Kelly
Atwood Magazine's Weekly Roundup | December 8, 2023
Columns, Features, Music, Weekly RoundupDecember 9, 2023<December 12, 2023

Atwood Magazine’s Weekly Roundup: December 8, 2023

by Atwood Magazine Staff
Eden Rain © Jack Alexander
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’

by Mitch Mosk
Luke Beling © Jorge Luis Bonilla
Debut, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: Luke Beling Unpacks the Tension, Pain, & Hope of Debut Album ‘A Stone in the Mouth of the Ocean’

by Mitch Mosk
Coyle Girelli © Shervin Lainez
Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 11, 2023

“I feel like I did when I was 16 again”: Coyle Girelli Rides High in ‘Museum Day,’ an Album-Sized Ode to NYC

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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