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Giant Rooks © Timothy Schaumburg
Features, Interviews, MusicMarch 14, 2024<March 14, 2024

“No need to be more than we are”: Giant Rooks Delve into ‘How Have You Been?’ and How the Challenges Proved Worthwhile

by Isabella Le
Pillow Queens © Martyna Bannister
Columns, Music, Today's SongMarch 13, 2024<March 13, 2024

“I don’t want to ruin my life, but I want to go home with you”: The Fire & Fury of “Like a Lesson,” Pillow Queens’ Intoxicating Indie Rock Fever Dream

by Mitch Mosk
ANT ENOCH & MORETON © Xinger Xanger
Debut, Music, Music Videos, PremieresMarch 13, 2024<March 15, 2024

“Everything that makes you feel, makes me feel”: Intimacy’s Intensity Comes to Life on “Tunnel Road,” Ant Enoch & Moreton’s Smoldering Love Song

by Mitch Mosk
Chaz Cardigan © courtesy of the artist
Features, Interviews, Music, News, Pop Matters, TravelMarch 13, 2024<March 13, 2024

Interview: Chaz Cardigan’s Conceptual ‘A Year in Glassland’ Is a Selfless Telling of His Story… By Him, for Me & You

by Noah Wade
Julien Chang © Tommy Waldo
Essays, MusicMarch 13, 2024<March 13, 2024

“Prepositions”: An Essay by Julien Chang

by Guest Writer
Maggie Lindemann 'HEADSPLIT' © Samantha Simmons
Features, Interviews, MusicMarch 13, 2024<March 13, 2024

“A Different Side of Me”: Maggie Lindemann Knows No Bounds on Exploratory ‘HEADSPLIT’ EP

by Aidan Mega
Konradsen © Marthe Thu
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024

Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape

by Mitch Mosk
Abby Holliday © Samuel Greenhill
Columns, Music, Today's SongMarch 12, 2024<March 12, 2024

“Don’t turn out the light when I’m in the room”: The Infinite Ache of “Immortal,” Abby Holliday’s Gut-Wrenching Love Song

by Mitch Mosk
JEMS © Jayden Becker
Essays, Women's History MonthMarch 12, 2024<March 12, 2024

“Bridging Music’s Gender Gap”: An Essay by JEMS for Women’s History Month

by Guest Writer
Sara Fjeldvær © Sigrid Erdal
Features, Interviews, MusicMarch 12, 2024<March 12, 2024

Interview: Bright and Full of Inner Reflection, Sara Fjeldvær Lights a New Path on Sophomore Album ‘Stars’

by Jaclyn Kelly
Feliz Final © Paula Tudela
Debut, Features, Interviews, MusicMarch 11, 2024<March 11, 2024

Track-by-Track: Exploring the Haziness and Intensity of ‘Nostalgia’ With Feliz Final’s Debut EP

by Frankie Rose
Asha Imuno 'PINS & NEEDLES' © Nani Garcia
Debut, Features, Interviews, MusicMarch 11, 2024<March 11, 2024

Interview: Asha Imuno Embraces the ‘PINS & NEEDLES’ of Life in His Debut Album

by Minna Abdel-Gawad
The Marías "Run Your Mouth" © Bethany Vargas
Columns, Music, Today's SongMarch 11, 2024<March 11, 2024

Today’s Song: The Marías Introduce Fans to the Immersive World of New Album ‘Submarine’ on Danceable Lead Single “Run Your Mouth”

by Olivia Martinez
Ducks Ltd. © Dylan Taylor
Features, Interviews, MusicMarch 7, 2024<February 27, 2024

Taking a More Outward Approach, Ducks Ltd. Showcase Their Sonic Proficiency on Second LP ‘Harm’s Way’

by Kevin Cost
MIKE © Ari Marcopoulos
Columns, Music, Today's SongMarch 6, 2024<March 6, 2024

Today’s Song: MIKE & Tony Seltzer’s Collaboration on “R&B” Is a Breath of Fresh Air for Underground Hip-Hop

by Jake Fewx
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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