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Soccer Mommy © Anna Pollack
Columns, Music, Today's SongJuly 15, 2024<July 10, 2024

Today’s Song: Soccer Mommy Contemplates the Intricacies of Identity on the Beautifully Somber “Lost”

by Jake Fewx
Animal Collective "Defeat" © Hisham Akira Bharoocha
Columns, Music, Today's SongJuly 14, 2024<July 10, 2024

Traversing the Labyrinth of Animal Collective’s “Defeat,” and Seeing How Much Has Changed By the End

by Frederick Bloy
Cults © Shervin Lainez
Columns, Music, Today's SongJuly 13, 2024<July 13, 2024

Today’s Song: NYC’s Cults Strip Back to Simplicity With “Crybaby” Off New Album ‘To the Ghosts’

by Marc Maleri
Caitlyn Smith © Rob Morgan
Columns, Music, Today's SongJuly 12, 2024<July 10, 2024

Today’s Song: Caitlyn Smith Lays Bare Her Fears in “Mother of Three”

by Emily Frances Algar
mercury's Maddie Kerr © Josef Lloyd
Artist to Watch, Features, Interviews, MusicJuly 11, 2024<July 11, 2024

“A voyage of grief, pain, and loss”: mercury’s Maddie Kerr Talks Songwriting, Raw Emotion, & ‘Together We Are One, You and I’

by Mitch Mosk
Orion Sun "Already Gone" © Linus Johnson
Columns, Music, Today's SongJuly 10, 2024<July 10, 2024

“It’s a mile to the front door”: Orion Sun Dwells in Love’s Wreckage on “Already Gone,” a Song of Heartache, Grief, & Acceptance

by Mitch Mosk
Karley Scott Collins © Matthew Berinato
Features, Interviews, MusicJuly 10, 2024<July 10, 2024

“You always wanted me to write one”: Karley Scott Collins Discusses Her Heavy Metal Influenced EP, ‘Write One’

by Emily Frances Algar
Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

by Christine Buckley
Running Out of Time - Ashe
Features, Interviews, MusicJuly 9, 2024<July 24, 2024

“I’m not sure if I’m in love, but it feels like freedom”: Ashe Talks Independence, Empowerment, & Her Own Liberation With “Running Out of Time”

by Mitch Mosk
Billy Sharp © 2024
Columns, Debut, Music, Today's SongJuly 9, 2024<July 9, 2024

Today’s Song: The Sweet Seduction of Billy Sharp’s Dreamy Debut Single “Kitchen Disco Queen”

by Mitch Mosk
Maia Kamil © courtesy of the artist
Interviews, Music, ReviewsJuly 9, 2024<July 9, 2024

Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss

by Guest Writer
The Secret of Us - Gracie Abrams
Features, Music, Reviews, RoundtableJuly 9, 2024<July 9, 2024

Roundtable Discussion: A Review of Gracie Abrams’ ‘The Secret of Us’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | July 8, 2024
Columns, Features, Music, Weekly RoundupJuly 8, 2024<July 8, 2024

Atwood Magazine’s Weekly Roundup: July 8, 2024

by Atwood Magazine Staff
Ripe's Robbie Wulfsohn © 2024
Features, Interviews, MusicJuly 8, 2024<July 8, 2024

“A high energy palliative”: Ripe’s Robbie Wulfsohn Reflects on One Year of the Band’s Triumphant ‘Bright Blues’

by Mitch Mosk
WHERE IS ELA © 2024
Columns, Music, Today's SongJuly 7, 2024<July 7, 2024

Today’s Song: Boston’s WHERE IS ELA Has Found a New Sound on “I Wanna Ride”

by Laurent Chavannes
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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