Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024 “A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy by Mitch Mosk
Features, Interviews, MusicMay 7, 2024<May 7, 2024 Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’ by James Crowley
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024 ‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024 “Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity by Mitch Mosk
Columns, Music, Music & CitiesMay 6, 2024<May 6, 2024 Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal by David Buyze
Interviews, MusicMay 6, 2024<May 6, 2024 “A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’ by Em Tomeo
Music, ReviewsMay 6, 2024<May 5, 2024 “A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long by Mitch Mosk
Music, ReviewsMay 4, 2024<May 4, 2024 Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight by Noah Wade
Debut, Features, Interviews, MusicMay 3, 2024<May 3, 2024 “Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut by Jake Fewx
Features, Music, Reviews, RoundtableMay 3, 2024<June 29, 2024 Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ by Atwood Magazine Staff
Features, Interviews, MusicMay 3, 2024<May 2, 2024 “This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret by Danny Vagnoni
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024 ‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life by Mitch Mosk
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024 “An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’ by Mitch Mosk
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024 Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk by Mitch Mosk
Features, Interviews, MusicMay 2, 2024<May 2, 2024 “It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album by Michael Greco
For the Love of Music
For the Love of Music
