Features, Interviews, MusicJanuary 21, 2025<January 21, 2025 Interview: Rebecca Haviland & Whiskey Heart’s ‘Late Nights’ Is a Love Letter to Blues Music and Community by Noah Wade
Features, Reviews, RoundtableJanuary 15, 2025<January 15, 2025 Roundtable Discussion: A Review of Suki Waterhouse’s ‘Memoir of a Sparklemuffin’ by Atwood Magazine Staff
Features, Interviews, MusicJanuary 14, 2025<January 14, 2025 Interview with Kazy Lambist: An Electro Master from Montpellier Spikes His Recipe With Mediterranean Seasoning by Josh Weiner
Music, Music You Should Know, ReviewsJanuary 14, 2025<January 14, 2025 Music You Should Know: Chiara Savasta Projects Energized Self-Assurance With ‘brand new girl, brand new machine’ EP by Frankie Rose
Music, ReviewsJanuary 7, 2025<January 7, 2025 Review: ‘SOS Deluxe: LANA,’ SZA’s Continued Ruminations on Love, Insecurity, & Heartbreak by Marc Maleri
9.6 Music, Our Take, ReviewsJanuary 7, 2025<January 7, 2025 Our Take: Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ Is an Unapologetic Love Letter to Puerto Rico by Julia Dzurillay
Columns, Music, Music You Should KnowDecember 23, 2024<December 23, 2024 Music You Should Know: Bad Religion’s ‘Christmas Songs’ by Haley Mitchell
Music, Reviews, RoundtableDecember 20, 2024<December 20, 2024 Roundtable Discussion: A Review of Kendrick Lamar’s ‘GNX’ by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackDecember 13, 2024<December 13, 2024 Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut by Mitch Mosk
Features, Music, Reviews, RoundtableDecember 12, 2024<December 12, 2024 Roundtable Discussion: A Review of Linkin Park’s ‘From Zero’ by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackDecember 12, 2024<December 12, 2024 Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024 “Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024 “It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album by Mitch Mosk
Debut, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024 Track-by-Track: Take a Deep Dive into Fie Eike’s Debut Album, ‘Water’ by Joe Beer
Interviews, MusicDecember 10, 2024<December 10, 2024 Interview: Vince Cuneo Channels His Inner Buccaneer for New Solo Project, Portraits of Pirates by Josh Weiner
For the Love of Music
For the Love of Music
