Features, Interviews, MusicOctober 25, 2022<October 25, 2022 Being Here Now: Big Wild on Connection, Self-Discovery, and “The Efferusphere” by Anthony Kozlowski
Features, Interviews, MusicOctober 25, 2022<October 25, 2022 Interview: Fable on Her Debut Album ‘Shame’ and the Fall of a Generation by Nic Nichols
Debut, Features, Interviews, MusicOctober 24, 2022<October 24, 2022 Interview: Adelaide’s Workhorse Debuts with Lush, Dreamy, & Messy LP ‘No Photographs’ by Mitch Mosk
10 Music, Our Take, ReviewsOctober 24, 2022<October 24, 2022 The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece by Mitch Mosk
Features, Interviews, MusicOctober 24, 2022<October 24, 2022 Interview: A Whimsical Peek into Zella Day’s Personal Heaven by Sophie Severs
Features, Interviews, Music, Track-by-TrackOctober 21, 2022<June 20, 2024 ‘I Love You, You’re Welcome’: Kuri’s Smoldering Sophomore Album Is a Deep Breath of Longing & Healing by Mitch Mosk
Music, Music Videos, PremieresOctober 21, 2022<October 21, 2022 Premiere: Drew Beskin & The Sunshine Shine on Heartwarming Reverie, “Sun Cancer” by Mitch Mosk
Columns, Features, Music, Weekly RoundupOctober 21, 2022<October 22, 2022 Atwood Magazine’s Weekly Roundup: October 21, 2022 by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackOctober 21, 2022<October 21, 2022 liminal spaces: zzzahara’s Driving & Dreamy Debut Dwells in a Nostalgia-Laced Indie Rock Haze by Mitch Mosk
Features, Interviews, MusicOctober 21, 2022<October 21, 2022 Tender, Warm & Sincere: Frankie Cosmos Look Inward in Fifth Album, ‘Inner World Peace’ by Sophie Severs
Debut, Features, Interviews, MusicOctober 21, 2022<March 11, 2023 Interview: Adam Melchor Talks Love, Collaboration, & Putting It All Out on the Line on ‘Here Goes Nothing!’ by Rachel Leong
Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022 Refuge and Raw Reckoning: The Brazen Youth’s ‘Eagle, Idaho’ Is a Breathtaking Soundtrack to Tragedy, Grief, & Growth by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022 Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut by Mitch Mosk
Features, Interviews, MusicOctober 20, 2022<October 20, 2022 Interview: Daisy the Great Explore the Size of Their Sound with Sophomore Album ‘All You Need Is Time’ by Michael Greco
Debut, Features, Interviews, MusicOctober 20, 2022<October 23, 2022 Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’ by Jamie Kahn
For the Love of Music
For the Love of Music
