• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Sofia Sar

Sofia Sar

Sofia is a recent graduate from the University of California, Berkeley where she earned a Bachelor of Science in business administration with a minor in music. Growing up in the San Francisco Bay Area she developed an appreciation for the arts and especially, music. From posting guitar covers on Instagram to now writing album reviews on her favorite artists, she is always looking for different ways to incorporate music into her life.

Good Morning © Pooneh Ghana
Features, Interviews, MusicApril 26, 2024<April 26, 2024

They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity

He's in love: Jelani Aryeh © Silken Weinberg
Features, Interviews, MusicFebruary 22, 2024<February 22, 2024

“It’s always gonna be a natural process”: Jelani Aryeh on Growing With the Music

I'm in Love - Jelani Aryeh
Columns, Music, Today's SongFebruary 1, 2024<February 1, 2024

Today’s Song: Addicting and All-Consuming, “I’m in Love” Is Jelani Aryeh’s Anthem to the Frustrations of Young Love

Eyedress and The Marías © Elvia Vicuna
Columns, Music, Today's SongJanuary 9, 2024<January 9, 2024

Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías

Tim Atlas © Paigge
Columns, Music, Today's SongDecember 10, 2023<December 10, 2023

Today’s Song: Tim Atlas Falls for the Seasonal Crush in Daydreamy & Hazy “The Deceiving”

'Blanket' album art - Kevin Abstract
Music, ReviewsNovember 20, 2023<November 20, 2023

Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change

MICHELLE © Jimmy Fontaine
Columns, Music, Today's SongNovember 10, 2023<November 10, 2023

Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook

Kevin Abstract © Lucas Creighton
Columns, Music, Today's SongOctober 21, 2023<October 21, 2023

Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way

Live For Me - Omar Apollo 8.4
Music, Our Take, ReviewsOctober 11, 2023<October 11, 2023

Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’

Animal Collective © Hisham Akira Bharoocha 7.9
Music, Our Take, ReviewsOctober 2, 2023<October 2, 2023

Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human

Mitski © Ebru Yildiz
Columns, Music, Today's SongSeptember 18, 2023<September 18, 2023

Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature

Recent Posts

  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services