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3.15.20 - Childish Gambino

Features, Music, ReviewsApril 9, 2020<April 9, 2020

Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act

by Atwood Magazine Staff

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Brand New

“Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible
Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage
“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know”
Interview: Ocean Alley Are Touching Back Down in Your City
Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’
“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie

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Recent Posts

“Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible April 26, 2024
Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage April 26, 2024
“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know” April 26, 2024
Interview: Ocean Alley Are Touching Back Down in Your City April 25, 2024
Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut April 25, 2024
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’ April 25, 2024
“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie April 25, 2024
“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good April 25, 2024
Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ April 25, 2024
New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down” April 25, 2024

© Atwood Magazine 2023 For the Love of Music

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