Debut, Interviews, MusicJanuary 14, 2025<January 14, 2025 Interview: Gigi Perez Isn’t Afraid of Grief; She Welcomes It by Mariam Bagdady
Features, Interviews, MusicJanuary 14, 2025<January 14, 2025 Interview with Kazy Lambist: An Electro Master from Montpellier Spikes His Recipe With Mediterranean Seasoning by Josh Weiner
Features, Lists, MusicJanuary 6, 2025<January 7, 2025 The 25 Best EPs of 2024 by Atwood Magazine Staff
Features, Lists, MusicDecember 18, 2024<December 18, 2024 Atwood Magazine’s 2024 Songs of the Year by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackDecember 13, 2024<December 13, 2024 Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut by Mitch Mosk
Features, Interviews, Music, Track-by-TrackDecember 12, 2024<December 12, 2024 Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024 “Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024 “It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album by Mitch Mosk
Debut, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024 Track-by-Track: Take a Deep Dive into Fie Eike’s Debut Album, ‘Water’ by Joe Beer
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 5, 2024 “Mess and Love”: Eden Rain Captures Intimacy’s Raw Intensity on Third EP ‘Anyway, how are you?’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024 “Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’ by Mitch Mosk
Interviews, MusicDecember 4, 2024<December 5, 2024 Interview: Meet Igmar Thomas, Proud Music Director of the Revive Big Band & Many Major Acts As Well by Josh Weiner
Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024 Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2024<December 3, 2024 “I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album by Mitch Mosk
Features, Interviews, MusicDecember 3, 2024<December 3, 2024 Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene by Rachel Leong