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Nu Deco Ensemble

Columns, Interviews, MusicDecember 10, 2020<December 9, 2020

A Conversation with Nu Deco Ensemble: An Innovative Orchestra Making Waves in Miami

by Josh Weiner

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Brand New

“I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album
Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene
“The One from the Start”: Sea Lemon’s “Sweet Anecdote” Is a Dreamy Dive into Nostalgia
Interview: Jacob Cummings Bids a Beautiful Farewell to His Childhood in Sparkling New Record ‘Southern & Enlightened’
Today’s Song: The Gut-Wrenching Heartache of Tiana Major9’s Soul-Baring Seduction, “alone”
Atwood Magazine’s Weekly Roundup: November 28, 2024
“Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want”

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Recent Posts

“I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album December 3, 2024
Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene December 3, 2024
“The One from the Start”: Sea Lemon’s “Sweet Anecdote” Is a Dreamy Dive into Nostalgia December 3, 2024
Interview: Jacob Cummings Bids a Beautiful Farewell to His Childhood in Sparkling New Record ‘Southern & Enlightened’ December 2, 2024
Today’s Song: The Gut-Wrenching Heartache of Tiana Major9’s Soul-Baring Seduction, “alone” December 2, 2024
Atwood Magazine’s Weekly Roundup: November 28, 2024 November 28, 2024
“Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want” November 28, 2024
Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams November 27, 2024
Interview: Amy Jay Is Back, and She Brought Billy Joel’s Heartache With Her November 27, 2024
“I deserve to be in the room”: mxmtoon on Agency, Family, and Womanhood in ‘liminal space’ November 27, 2024

© Atwood Magazine 2024 For the Love of Music

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