Features, Music, Reviews, RoundtableJune 18, 2024<June 29, 2024 Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackJune 10, 2024<June 10, 2024 Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP by Mitch Mosk
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’ by Atwood Magazine Staff
Features, Interviews, MusicJune 10, 2024<June 11, 2024 “Sweet drenched in bitter”: Nicky Youre Talks Musical Evolution and New Single “Tease Me,” a Song of Hot Sweat & Raw Passion by Mitch Mosk
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024 Review: Sabrina Carpenter “Please Please Pleases” Gov Ball With the First Live Performance of Her Single by Julia Dzurillay
Concerts, Festival, Music, ReviewsJune 6, 2024<June 6, 2024 Full Service: Boston Called, and Chappell Roan Picked Up the Phone by Hannah Burns
Columns, Music, Today's SongMay 26, 2024<May 24, 2024 Today’s Song: Gracie Abrams Dives Headfirst into Love on Her New Single “Risk” by Aaron Childree
Debut, Music, Reviews, Track-by-TrackMay 20, 2024<May 20, 2024 Track-by-Track: England’s TYDL Radiate with Empowerment in ‘Ethereal’ EP by Joe Beer
Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 22, 2024 Track-by-Track: Victoria Victoria Hurts So Good in ‘Sweetest Ache,’ an Album of Angst, Soul-Searching, & Soothing Pop Songwriting by Mitch Mosk
Music, Music Videos, PremieresMay 15, 2024<May 15, 2024 Premiere: Sydney’s YAGKI Is Intimately Exposed on “Something I Do,” an Alt-Pop Upheaval of Emptiness & Detachment by Mitch Mosk
Features, Interviews, MusicMay 14, 2024<May 14, 2024 “What matters most to us is that these songs exist in the world”: Mum-Jean Rock Band Wynona Are Bringing Back the ’90s With Catchy Anthems & Carefree Charm by Mitch Mosk
Music, ReviewsMay 9, 2024<May 9, 2024 Dua Lipa Wholeheartedly Opens Up in ‘Radical Optimism’ by Lauren Turner
Music, ReviewsMay 6, 2024<May 5, 2024 “A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long by Mitch Mosk
Features, Music, Reviews, RoundtableApril 25, 2024<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ by Atwood Magazine Staff
Music, Reviews, This Just InApril 24, 2024<April 24, 2024 Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims by Dimitra Gurduiala