Music, ReviewsApril 8, 2026<April 8, 2026 Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers by Danielle Holian
Columns, Music, Today's SongApril 8, 2026<April 8, 2026 Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation by Nicolle Knapová
Columns, Music, Today's SongApril 7, 2026<April 6, 2026 “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” by Heleen Weber
Features, Music, Reviews, RoundtableApril 6, 2026<April 6, 2026 Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ by Atwood Magazine Staff
Music, ReviewsApril 6, 2026<April 6, 2026 Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld by Danielle Holian
Interviews, Music, Today's SongApril 3, 2026<April 3, 2026 “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem by Mitch Mosk
Columns, Music, Today's SongApril 2, 2026<April 2, 2026 “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” by Mitch Mosk
Artist to Watch, Debut, Interviews, MusicApril 1, 2026<April 2, 2026 “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem by Mitch Mosk
Features, Music, Reviews, RoundtableMarch 17, 2026<March 17, 2026 Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ by Atwood Magazine Staff
Interviews, Music, Today's SongMarch 17, 2026<March 17, 2026 “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth by Mitch Mosk
Columns, Music, Today's SongMarch 16, 2026<March 16, 2026 “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem by Kevin Cost
Interviews, Music, Today's SongMarch 15, 2026<March 15, 2026 “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” by Mitch Mosk
Music, ReviewsMarch 13, 2026<March 13, 2026 ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet by Danielle Holian
Debut, Features, Interviews, MusicMarch 12, 2026<March 12, 2026 Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music by Mitch Mosk
Features, Music, ReviewsMarch 10, 2026<March 10, 2026 With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” by Guest Writer
For the Love of Music
For the Love of Music
