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Anthony Kozlowski

Anthony Kozlowski

Anthony is an audiophile who’s made a career out of constantly wearing a set of headphones. When he isn’t recording sound on movie sets, you can find him at an LA coffee shop dumping his thoughts into notebooks or taking up space at a concert. He once went to culinary school because he was bored, and is in a perpetual struggle to keep his houseplants alive. He currently hosts Atwood's one and only podcast Tunes & Tumblers.

The Marías © Ashley Seryn
Debut, Features, Interviews, MusicSeptember 8, 2021<February 7, 2022

Cerebral Slideshows: The Marías Marry the Arts of Film and Music in Expansive Debut LP ‘CINEMA’

Teddy Swims © Gus Black
Features, Interviews, MusicJuly 20, 2021<July 21, 2021

Learning to Unlearn: Teddy Swims Explores Life and the Human Experience on ‘Unlearning’ EP

Royal Blood © Mads Perch
Features, Interviews, MusicMay 4, 2021<October 5, 2021

Feature: Royal Blood Dance the Pain Away on ‘Typhoons’

Tessa Violet © Natasha Tilly
Features, Interviews, MusicApril 23, 2021<April 24, 2021

Feature: Tessa Violet Ushers in a New World with Reissue of “Games” ft. lovelytheband

NYIKO © Niles Gregory 8
Debut, Music, Our Take, ReviewsApril 9, 2021<April 9, 2021

Our Take: Love Is Creation on NYIKO’s Debut Album ‘Honesty’

Tusing © Cory Snelson
Music, ReviewsApril 8, 2021<April 7, 2021

Review: Dallas’ Tusing Floats Toward His Best Self on New Single “Wasted”

Phoebe Bridgers live © Anthony Delanoix
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Entire Crowd at Phoebe Bridgers Show Made Up of Your Ex-Girlfriends

Four am - John Lowell Anderson
MusicJanuary 11, 2021<January 11, 2021

Today’s Song: John Lowell Anderson Meditates on the Sleepless Hour of “Four am”

The Best Songs of 2020 (According to Anthony)
Lists, MusicDecember 31, 2020<December 31, 2020

The Best Songs of 2020 (According to Anthony)

Bahamas © Dave Gillespie
Features, Interviews, MusicNovember 18, 2020<November 18, 2020

Interview: Bahamas Is a ‘Sad Hunk’ and Loving It

BANNERS © Meredith Truax
Features, Interviews, MusicOctober 28, 2020<October 28, 2020

Feature: BANNERS Enjoys Newfound Success with Viral Hit “Someone to You”

The Barrens © Hailey Merlo 8
Debut, Music, Our Take, ReviewsOctober 22, 2020<December 15, 2020

Review: The Barrens Take a Look Through Youth’s Pink Shades on Stunning Debut EP ‘Young’

Music, Reviews, This Just InOctober 21, 2020<October 21, 2020

This Just In: NYIKO Explores the Haunting of Relationships Past in “Ghost in Your Dreams”

Music, PremieresOctober 6, 2020<October 6, 2020

Premiere: Derek Simpson’s Crafts a Playful Surrender on “Naked Forever”

Features, Interviews, MusicOctober 1, 2020<December 15, 2022

Feature: Lynn Gunn Seizes the Reins in PVRIS’ Glitch Rock Tour-De Force ‘Use Me’

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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