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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Carnival III - Wyclef Jean 8
Music, Our Take, ReviewsNovember 2, 2017<September 5, 2023

Our Take: Wyclef Jean Displays Heart and Expertise on ‘Carnival III’

Music, Our Take, ReviewsSeptember 28, 2017<September 28, 2017

Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’

Music, PremieresSeptember 14, 2017<September 14, 2017

Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’

TLC - TLC album art
Music, Our Take, ReviewsAugust 8, 2017<August 8, 2017

Our Take: TLC Return for a Strong Curtain Call

Everybody - Logic
Music, Our Take, ReviewsJune 12, 2017<November 8, 2018

Our Take: ‘Everybody’ Is in for a Good Time on Logic’s Latest

Teddy and the Rough Riders © 2017
Music, PremieresJune 8, 2017<June 8, 2017

Premiere: Teddy and the Rough Riders’ Intoxicating “Martini”

Kendrick Lamar DAMN. © Top Dawg Entertainment 8
Music, Our Take, ReviewsJune 1, 2017<August 30, 2021

Our Take: Kendrick Lamar’s Status as a Hip-Hop Legend is Getting DAMN. Strong

Weekend Mountain Man - Former Faces still
Music, Music Videos, PremieresMay 25, 2017<May 25, 2017

Video Premiere: Former Faces Return to Nature on “Weekend Mountain Man”

Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

Kate Grom - Whistle Cry still
Debut, Music, Music Videos, PremieresApril 28, 2017<April 28, 2017

Video Premiere: Kate Grom’s “Whistle Cry,” a Tale of Longing & Love Gone Wrong

Calan © Richard P Walton
Music, PremieresMarch 29, 2017<March 29, 2017

Premiere: Calan’s “Apparition” Tells Tales of Silent Singing Through Great Neo-Folk Music

Run the Jewels 3 © Timothy Saccenti 8
Music, Our Take, ReviewsFebruary 15, 2017<September 5, 2023

Our Take: Run the Jewels 3 is the Boldest, Most Urgent of the Lot

Sky Chefs © Devin O'Brien
Features, Music, PremieresFebruary 14, 2017<February 15, 2017

Exclusive Premiere: Sky Chefs’ “Lucite Wands” Are Gone, But Terrific Chemistry Remains

A Tribe Called Quest (left to right): Ali Shaheed Muhammad, Jarobi White, Q-Tip and Phife Dawg © Aristos Marcopoulos 8.1
Music, Our Take, ReviewsDecember 13, 2016<September 5, 2023

Gettin’ It Together Forever: A Tribe Called Quest Comes Back for a Curtain Call

Green Day © Frank Maddocks 8.8
Music, Our Take, ReviewsOctober 24, 2016<March 2, 2025

Our Take: Green Day Return to Peak Form on ‘Revolution Radio’

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Recent Posts

  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
  • Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ July 15, 2026
  • “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs July 15, 2026
  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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