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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Abd Al Malik
Music, Our Take, ReviewsApril 18, 2019<April 18, 2019

Our Take: Abd Al Malik Still Reigns Supreme in France’s Spoken-Word Scene

head above water avril lavigne album cover
Music, Our Take, ReviewsMarch 13, 2019<March 13, 2019

Our Take: Avril Lavigne Brushes Demons Aside on ‘Head Above Water,’ Her Post-Health Scare Return to Form

Drew Davies © Georgios Elianos
Debut, Music, Music Videos, PremieresMarch 7, 2019<March 6, 2019

Premiere: Drew Davies Brings Personal Style to Classic Pop Narrative on Debut “Man on the Run”

YSIV - Logic 7.9
Music, Our Take, ReviewsNovember 8, 2018<October 16, 2024

Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’

Eminem - 'Kamikaze' © 2018
Music, Our Take, ReviewsOctober 5, 2018<October 5, 2018

Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once?

Queen - Nicki Minaj 7.9
Features, Music, Our Take, ReviewsAugust 17, 2018<August 17, 2023

Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering

GORILLAZ © J.C. Hewlett
Music, Our Take, ReviewsJuly 27, 2018<July 27, 2018

Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now”

Nasir - Nas 7.1
Music, Our Take, ReviewsJune 26, 2018<January 19, 2022

Our Take: Nas’ NASIR Proves a Palatable Rough Draft

The Analog Affair Avalanche © Evan Baker
Music, PremieresJune 21, 2018<June 21, 2018

Premiere: Smoky Seduction in The Analog Affair’s Hazy “Monsters”

PremieresMay 24, 2018<May 24, 2018

Premiere: Jordan Galland’s Many Talents Shine in “Down With Me” Video

Lovecoast © Berkley Vopnfjord
Debut, Features, Music, PremieresApril 20, 2018<April 20, 2018

Album Premiere: Take ‘The Trip’ with Lovecoast and Bask in a Soulful Heat

Angela Josephine © John Mark Hanson
Music, PremieresMarch 29, 2018<March 29, 2018

Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent

Revival - Eminem
Music, Our Take, ReviewsJanuary 8, 2018<January 8, 2018

Our Take: Eminem’s ‘Revival’ Is Low on Highlights, High on Dubious Decisions

Walk on Water - Eminem
Columns, Music, Reviews, Today's SongNovember 27, 2017<November 27, 2017

Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort

Liam Gallagher © RANKIN 8
Music, Our Take, ReviewsNovember 21, 2017<September 5, 2023

Our Take: No More Oasis, No Worries for Liam Gallagher on ‘As You Were’

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Recent Posts

  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
  • Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ July 15, 2026
  • “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs July 15, 2026
  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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