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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Your Smith © Samantha Marquart
Features, Interviews, MusicAugust 6, 2019<September 19, 2019

Interview: Reveling with Your Smith’s “In Between Plans” Euphoria

Wild Rivers © Justin Broadbent
Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Wild Rivers Reckon with Heartache in Dynamic “I Do”

FERGUS © Cara Kealy
Features, Music, PremieresAugust 6, 2019<August 6, 2019

EP Premiere: The Intimacy & Immediacy of FERGUS’ Pained ‘Three of Swords’

Field Mouse © Katie Krulock
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: Field Mouse Get Apocalyptic in Intimate New Song “Black Hole, Son”

Time For T © Anna Becerra
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: The Dreamy Folk-Rock Flow of Time for T’s “Screenshot”

whywhywhy - MisterWives
Music, Reviews, This Just InAugust 1, 2019<August 1, 2019

MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning

Atwood Magazine Editor's Picks 2019 July 29
Columns, Editor's Picks, Features, MusicAugust 1, 2019<November 14, 2023

Editor’s Picks: July 29, 2019

So Sensitive © Ashlyn Hubenak, edited by Cam Perkins
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019

Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’

Carriers © Michael Wilson
Music, PremieresJuly 31, 2019<July 31, 2019

Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People”

Trenton © Ry Cox
Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty

Stella Emmett © Joseph Charles Viola
Debut, Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U”

FENCES © Christian Sorenson Hansen
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019

Premiere: FENCES’ Stirring American Western “Same Blues”

Bastille
Features, Interviews, MusicJuly 26, 2019<September 19, 2019

The Glimmering Light of Our ‘Doom Days’: A Conversation with Bastille

Relick 2019 1
Features, Interviews, MusicJuly 26, 2019<July 26, 2019

Premiere: Relick Inject Light & Raw Energy into New Song “Powder Pink”

Lauran Hibberd © Nathan Russell
Features, Interviews, Music, ReviewsJuly 25, 2019<July 26, 2019

Interview: Lauran Hibberd Lets Loose on “Frankie’s Girlfriend” with Raw Indie Rock Zeal

Posts pagination
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Recent Posts

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  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
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  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
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  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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