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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Boyish © Nicole Teckchandani
Music, Music Videos, PremieresMay 18, 2020<May 18, 2020

Premiere: Boyish’s “FUCK YOU HEATHER” Is a Stunning, Raw, & Impassioned Upheaval

Charlotte OC © Maximillian Hetherington
Features, Music, Reviews, Track-by-TrackMay 15, 2020<May 15, 2020

Feature: Charlotte OC’s ‘Oh the Agony, Oh the Ecstasy’ EP Is a Passionate, Soulful Surrender

Ten Kills the Pack © 2020
Music, Music Videos, PremieresMay 15, 2020<May 15, 2020

Premiere: The Visceral, Poetic Beauty of “Relaxing Apartments” & Ten Kills the Pack’s Debut EP ‘Force Majeure’

Colton Dixon © Jimmy Fontaine
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: Colton Dixon’s Intimate “Can’t Quit You” Proves a Sweetly Seductive Love Song

Bjorn Rydhog © Fredrik Salomonsson
Music, Reviews, Track-by-TrackMay 14, 2020<May 14, 2020

Track-by-Track: Bjorn Rydhog’s ‘Give Me Sunshine’ EP Is a Dazzling Folk-Pop Oasis

The National Parks © McKenna Chatterley
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: The National Parks Come Alive with Heartland Hope in “Waiting for Lightning”

Henry Jamison © Tourism
Features, Interviews, MusicMay 13, 2020<August 23, 2020

Feature: The Isolation & Collaboration of Henry Jamison’s Breathtakingly Beautiful ‘Tourism’ EP

Me & The Monster
Music, Music Videos, PremieresMay 13, 2020<May 13, 2020

Premiere: Me & The Monster’s Haunting “The Shadow” Arrests Us Inside & Out

Onsen © Chris Coats
Music, ReviewsMay 13, 2020<May 13, 2020

Review: Onsen’s Aching “Be There” Is a Song of Isolation & Longing

WILSN © Jack Stafford
Music, PremieresMay 12, 2020<May 12, 2020

Premiere: WILSN Soars with Hope in Anthemic & Aching Single “Deep in It”

Overindulgence - Oddnesse
Debut, Music, Reviews, Track-by-TrackMay 7, 2020<May 12, 2020

Feature: Oddnesse’s Unapologetic & Uncompromising Debut EP ‘Overindulgence’

Let It Leave - Deau Eyes
Features, Music, Reviews, Track-by-TrackMay 7, 2020<May 7, 2020

Feature: Deau Eyes’ Dazzling Debut ‘Let It Leave’ Is Honest & Raw Indie Rock Passion

1 x 1 - Cold War Kids 1
Music, Reviews, This Just InMay 6, 2020<May 6, 2020

This Just In: Cold War Kids and The Lumineers Join Forces to Inspire & Empower on “1 x 1”

Annie DiRusso © Jacqueline Justice
Music, Music Videos, PremieresMay 6, 2020<May 6, 2020

Premiere: Annie DiRusso Languishes in Teenage Suburbia on “Don’t Swerve”

Eliza Edens © Elizabeth Ibarra
Music, Reviews, Track-by-TrackMay 5, 2020<May 5, 2020

Feature: Eliza Edens’ Debut ‘Time Away From Time’ Is an Intimate Alt-Folk Oasis

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
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  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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