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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Cuntrie © Ebba G. Ågren
Debut, Interviews, Music, PremieresJanuary 22, 2020<March 8, 2021

Cuntrie Soars in Her Intimate, Spirited & Fragile Debut EP ‘Scrapbooking’

Color Study artists 2020
Features, Interviews, NewsJanuary 21, 2020<January 21, 2020

Introducing Color Study: An Indie Record Label Championing “Personal Pop” Music

Nancy © 2020
Music, PremieresJanuary 21, 2020<January 21, 2020

Premiere: UK Duo NANCY Tap into Raw, Emotional Vulnerability on “It’s Just You”

KYTES © Marc Heinemann
Music, PremieresJanuary 16, 2020<January 17, 2020

Premiere: Munich’s KYTES Deliver Bright, Buoyant Indie Pop in “Go Out”

The Aces © Alexander Bortz
Debut, Features, Interviews, MusicJanuary 16, 2020<March 4, 2020

Cool, Young, Fresh, and Fun: An Interview with The Aces

Tom West © Isabella Cuan
Music, PremieresJanuary 14, 2020<January 14, 2020

Premiere: Tom West Burns Out in Mellow & Brooding Song “Stuck on Repeat”

Hazlett © Emil Daniel
Music, PremieresJanuary 14, 2020<January 14, 2020

Premiere: Basking in the Young & Free Energy of Hazlett’s “Monsters”

Atwood Magazine Editor's Picks 26
Columns, Editor's Picks, Features, MusicJanuary 14, 2020<January 14, 2020

Editor’s Picks: January 14, 2020

Stu Larsen © Nadia Meli
Music, PremieresJanuary 9, 2020<December 1, 2020

Premiere: Stu Larsen’s Heavy Heart Aches in Lovelorn “Phone Call From My Lover”

Of the Wild © Craig Clement (Ten23 Productions)
Debut, Music, PremieresJanuary 7, 2020<January 8, 2020

Premiere: Of the Wild Explode onto the Scene with Alt-Rock Verve in Debut EP ‘Banshee & Hope’

Kid Nobody © Dustin Giallanza
Music, PremieresJanuary 6, 2020<January 6, 2020

Premiere: “Ready or Not,” Kid Nobody Are Coming in Hot on New 2020 Single

Oh Wonder © Olga De La Iglesia
Columns, Music, This Just In, Today's SongJanuary 6, 2020<February 6, 2020

Oh Wonder’s Heartfelt “Happy” Is a Beautiful Song of Moving On & Letting Go

Atwood Magazine Editor's Picks 25
Editor's Picks, Features, MusicDecember 17, 2019<January 9, 2020

Editor’s Picks: December 17, 2019

Lust and Learn - The Slow Show
Features, Interviews, MusicDecember 16, 2019<December 16, 2019

Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’

Bear's Den © Sequoia Ziff
Music, ReviewsDecember 11, 2019<December 11, 2019

Review: Bear’s Den Evoke Winter’s Warmth in ‘Only Son of the Falling Snow’ EP

Posts pagination
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Recent Posts

  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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