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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Joshua Radin © Shervin Lainez
Interviews, Music, PremieresSeptember 10, 2019<September 10, 2019

Premiere: Joshua Radin Addresses Child Separation in Breathtaking “What Would You Do (Refugee Song)”

Oh Wonder © Olga De La Iglesia
Interviews, Music, ReviewsSeptember 10, 2019<September 10, 2019

Singing “Hallelujah”: Oh Wonder Dive into Their Stirring Spiritual Release

Zola Courtney
Columns, Debut, Interviews, Music, Today's SongSeptember 9, 2019<April 16, 2020

Interview: Artist-to-Watch Zola Courtney Has “Nothing to Lose” in Her Stunning Debut

Oddnesse
Interviews, Music, ReviewsSeptember 6, 2019<October 16, 2019

Sugar, Spice, and Everything Nice: An Interview with Oddnesse

Jeri Silverman © Gavin Goodman
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Jeri Silverman’s “Come Undone” is a Dark, Imaginative Exploration of Human Nature

Getaway Dogs © Andrew Hawes
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Getaway Dogs Drizzle Dreamy Acoustic Intimacy & Soul in “Sawtooth (I’ve Been Wrong Before)”

The Last Morrell
Debut, Music, Music Videos, PremieresSeptember 6, 2019<September 6, 2019

Premiere: The Last Morrell Lets Go in Cathartic Debut “Fine Now”

Debut, Interviews, Music, ReviewsSeptember 5, 2019<September 5, 2019

Intimacy, Discovery, and Being ‘Together’: An Interview with Wolfjay

Abbie and the Roses © Emmie Niemelä
Debut, Music, PremieresSeptember 5, 2019<September 5, 2019

Premiere: Abbie and the Roses’ Dreamy “Hippies” Is a Tender Embrace of Peace & Love

Roanoke
Music, PremieresSeptember 5, 2019<September 5, 2019

Premiere: Roanoke Share a Loving Glow in “Where the Heart Runs”

The Fool - Overcoats
Columns, Music, This Just In, Today's SongSeptember 5, 2019<November 11, 2019

Today’s Song: The Sheer Impact of Overcoats’ Fresh Cut, “The Fool”

Wallis Bird © Jens Oellermann
Interviews, Music, PremieresSeptember 5, 2019<September 19, 2019

Premiere: Wallis Bird’s Big Bowl of Madness & Memories, “Life Is Long”

Treesreach
Music, PremieresSeptember 4, 2019<September 4, 2019

Premiere: Mapping a Loss with Treesreach’s Dulcet “Wisconsin”

Tow'rs © 2019
Music, Music Videos, PremieresSeptember 4, 2019<September 4, 2019

Premiere: Tow’rs Channel Unconditional Parental Love in “Pink Confetti”

Golden Age Thinking - Wylder
Music, ReviewsAugust 30, 2019<August 30, 2019

Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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