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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

bat zoo © Hannah Riedel
Debut, Music, Music Videos, PremieresApril 28, 2025<April 28, 2025

Premiere: bat zoo’s Achingly Intimate “Frozen Milk” Is a Raw Reckoning with Grief, Growth, & the Fragile Beauty of Connection

Adam Melchor © Caro Knapp
Columns, Music, Today's SongApril 25, 2025<April 25, 2025

Adam Melchor & Mt. Joy Deliver a Timeless Folk Classic in “Room on Your Shoulder,” a Heartfelt Ode to Friendship, Vulnerability, & Human Connection

Atwood Magazine's 118th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 18, 2025<April 28, 2025

Editor’s Picks 118: Bon Iver, Japanese Breakfast, Samia, Michael Marcagi, spill tab, & Djo!

Trousdale 'Growing Pains' © Alex Lang
Features, Interviews, Music, Track-by-TrackApril 18, 2025<April 18, 2025

Feature: Trousdale’s Inner Light Shines on ‘Growing Pains,’ a Radiant Folk-Pop Record of Resilience, Renewal, & Harmony

Olive Klug © Alex Steed
Music, Music Videos, PremieresApril 18, 2025<April 18, 2025

Premiere: Olive Klug Channels Their Inner Paul Simon in the Freewheeling “Train of Thought,” a Spirited Folk Fever Dream

Avery Friedman © Mamie Heldman
Debut, Features, Interviews, Music, PremieresApril 17, 2025<April 17, 2025

Album Premiere: Avery Friedman Debuts with ‘New Thing,’ a Raw Reckoning of Becoming, Belonging, & Bold Self-Expression

Nami © 2025
Columns, Interviews, Music, Today's SongApril 17, 2025<December 15, 2025

“I’m a Student First, Artist Second”: Nami Debuts with Catchy Songwriting, Playful Intensity, & Raw, Unfiltered Self-Expression

The Two Seasons © Olivia Alonso Gough
Music, PremieresApril 16, 2025<April 16, 2025

Premiere: The Two Seasons Riff on Depression, Disassociation, & Digital Decay in “Simulator”

Mint Simon and Tafari Anthony © Steph Dinsdale
Columns, Music, Today's SongApril 16, 2025<April 16, 2025

Today’s Song: You’ll “Feel Better” with Mint Simon & Tafari Anthony’s Radiant Anthem of Love, Longing, & Liberation

Bottle Rockets © Rosie Sco
Columns, Music, Today's SongApril 12, 2025<April 12, 2025

Glasgow’s Bottle Rockets Answer the “Video Call” with a Heart-on-Sleeve Indie Rock Anthem

Atwood Magazine's 117th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 11, 2025<April 11, 2025

Editor’s Picks 117: Dancer, Adam Melchor & Mt. Joy, CMAT, Arcy Drive, Sydney Sprague, and Charlotte OC!

Heaven © 2025
Features, Interviews, Music, Track-by-TrackApril 11, 2025<April 11, 2025

“Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender

Filiah © Marie Schrentewein
Music, PremieresApril 10, 2025<April 11, 2025

Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance

Lucette © Sebestian Buzzalino
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025

Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’

Somebody's Child © Jim Fuller
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025

“Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’

Posts pagination
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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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