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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Adult Future is Darius Byrne, Brian Ireland, and Andrew Eyles
Debut, Features, Music, PremieresSeptember 16, 2016<September 19, 2016

Exclusive Premiere: Adult Future Fight Fear with Love on Debut “The Leaf House”

Handsome Ghost's Tim Noyes © Daniel Silbert
Features, Interviews, MusicSeptember 15, 2016<December 23, 2016

Dark, with Just a Touch of Light: A Conversation with Handsome Ghost

Screenshot from "The Things I’ve Always Liked I Now Hate" by Occurrence
Features, Music, Music Videos, PremieresSeptember 15, 2016<September 15, 2016

Exclusive Premiere: Occurrence’s Unsettling Video “The Things I’ve Always Liked I Now Hate”

Everything Is Green
Debut, Features, Music, PremieresSeptember 14, 2016<September 14, 2016

Exclusive Premiere: The Colorful Flavors on Everything is Green’s “Sweet Teeth”

Faulkner
Columns, Music, Today's SongSeptember 13, 2016<September 13, 2016

Today’s Song: Faulkner’s Anthem “Halo Me” Finds Strength in Hardship

CLAVVS © Piezo Quartz
Features, Music, PremieresSeptember 8, 2016<September 8, 2016

Exclusive Premiere: CLAVVS’ Hypnotic and Lustful “Serpentine”

Cubits © Isaac Winkler
Debut, Features, Music, PremieresAugust 30, 2016<August 30, 2016

Exclusive Premiere: Iowa’s Cubits Hypnotize on Debut “Oh Well That Ends Well”

St Paul and the Broken Bones © David McClister
Columns, Music, Today's SongAugust 29, 2016<September 9, 2016

Today’s Song: St. Paul & The Broken Bones Challenge Apathy on “All I Ever Wonder”

Glass Animals © Neil Krug
Features, Interviews, MusicAugust 25, 2016<March 22, 2017

The Musician’s Guide to Human Beings: A Conversation with Glass Animals

Future Soul © Kyle Gilbert
Features, Music, PremieresAugust 24, 2016<August 24, 2016

Exclusive Premiere: Future Soul’s “Faith” Seeks Light in the Dark

Hey Violet is Rena Lovelis, Nia Lovelis, Miranda Miller, and Casey Moreta
Features, Interviews, MusicAugust 23, 2016<March 2, 2025

Love, Pop, and Brand New Moves: A Conversation with Hey Violet

Wages "Rattlesnake" still
Features, Music, Music Videos, PremieresAugust 18, 2016<August 18, 2016

Exclusive Premiere: Wages’ “Rattlesnake” Copes with Pain in Darkness

Broods is Georgia and Caleb Nott
Features, Interviews, MusicAugust 15, 2016<August 29, 2016

Bigger, Bolder, and ‘Conscious’: A Conversation with Broods

The Rare Occasions (from left to right): Peter Stone, Jeremy Cohen, Brian McLaughlin, and Luke Imbusch // credit: Jonas Meyer 8.6
Features, Music, Our Take, ReviewsAugust 11, 2016<June 16, 2022

Our Take: Daring and Depth on The Rare Occasions’ “Futureproof” EP

COTE © Jen Trahan
Columns, Debut, Music, Today's SongAugust 10, 2016<December 17, 2018

Today’s Song: Intimate Reflections on COTE’s Debut “London”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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