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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Cecilia Castleman © Carly Butler
Artist to Watch, Columns, Music, Today's SongOctober 24, 2024<October 24, 2024

Today’s Song: Cecilia Castleman’s Wistful “Looking for June” Aches With the Sting of Growing Apart

Lola Young © Sophie Jones
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

“Finding my voice has been a journey of resilience”: Lola Young Is Raw, Honest, Unapologetic, & Messy – and We Wouldn’t Have Her Any Other Way

Carmody and Tal Janes are Oh My Sun © Rebecca Zephyr Thomas
Debut, Music, PremieresOctober 24, 2024<October 24, 2024

Premiere: London Duo Oh My Sun Debut With “5 Pieces,” a Dreamy, Sweet, & Sun-Kissed Seduction

Stavro © Adam Turner
Music, PremieresOctober 23, 2024<October 23, 2024

“You saw it coming, but it came too quick”: Stavro Premieres “Smoke Above the Interstate,” a Soul-Stirring Song for End Times

Painted Vein © Mila Nowhere
Debut, Music, Music Videos, PremieresOctober 23, 2024<October 23, 2024

Premiere: Seattle’s Painted Vein Dwells in Darkness & Hope on Grungy “My Well”

Stevie Bill © Monique Penders
Features, Interviews, Music, Track-by-TrackOctober 22, 2024<October 22, 2024

“Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair

Kemi Ade © Azu
Artist to Watch, Columns, Music, Today's SongOctober 21, 2024<October 23, 2024

Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight”

Daisy the Great © Alistair Barrell
Columns, Music, Today's SongOctober 19, 2024<October 19, 2024

Daisy the Great Deliver for “All the People” in Dynamic & Dreamy ‘Spectacle: Daisy the Great vs. Tony Visconti’

Nick Ward © Joe Brennan
Debut, Features, Interviews, Music, Track-by-TrackOctober 18, 2024<October 18, 2024

“Psychedelic Family Roadtrip”: Nick Ward Dives into Himself on Debut Album ‘House With the Blue Door’

Mon Rovia © Glenn Ross
Artist to Watch, Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“The mission of my music is to heal with others”: A Conversation With Mon Rovîa

BLK ODYSSY © Bethany Reed
Features, Interviews, Music, Track-by-TrackOctober 17, 2024<October 24, 2024

Liberating, Cinematic, & Seductive: BLK ODYSSY Breaks the Mold on Third Album, ‘1-800 FANTASY’

allie © Rachel Bennett
Columns, Music, Today's SongOctober 17, 2024<October 17, 2024

“Skyscrapers in the back seat”: allie’s Indigo Indie Rock Anthem “Tiny Colored Pills” Aches With an Intimate Inner Yearning

Caroline Kingsbury © Lissyelle Laricchia
Features, Interviews, Music, Premieres, Track-by-TrackOctober 17, 2024<October 17, 2024

EP Premiere: Caroline Kingsbury’s ‘I Really Don’t Care!’ Is an Irresistible, Cinematic Celebration of Caring Too Much

Jo Hill © Phoebe Fox
Columns, Music, Today's SongOctober 16, 2024<October 16, 2024

Today’s Song: Jo Hill Soars on “ALL MY GIRLS ARE TOMBOYS,” a Spirited, Sun-Kissed Sisterhood Anthem

King Ibis © Robin Bottrell
Music, PremieresOctober 16, 2024<October 16, 2024

“Build me up to make me small”: Perth’s King Ibis Are Unleashed in Seductive Scorcher “Did You Dim the Lights”

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