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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hudson Thames © Josh Fogel
Columns, Music, Today's SongJune 24, 2025<June 24, 2025

Today’s Song: Hudson Thames Surrenders to Love in “Wrong,” a Raw, Honest, & Soul-Baring Confession

Of the Dell © Hunter Way with Impact Media
Music, PremieresJune 23, 2025<June 23, 2025

Premiere: West Virginia’s Of the Dell Blend ‘60s Style with Appalachian Charm on “Yes I Will,” a Love Song Full of Grit and Grace

The Happy Fits © Anna Koblish
Columns, Music, Today's SongJune 23, 2025<June 23, 2025

“I can’t get my mind off loving you”: The Happy Fits Unleash a Feel-Good, Full-Body Anthem of Love in “Everything You Do”

Atwood Magazine's 125th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 20, 2025<July 8, 2025

Editor’s Picks 125: NoMBe, Sheléa, Nectar Woode, Nxdia, Jahnah Camille, & Hannah Jadagu!

BODHI © Nettwerk Music Group
Columns, Music, Today's SongJune 19, 2025<June 19, 2025

“This little dove is tired”: BODHI Reckons with Burnout, Self-Sabotage & Survival in a Soul-Baring Confessional

Love, Alexa © Emilie Wilde / Ganguette Co
Features, Interviews, Music, PremieresJune 18, 2025<June 18, 2025

“Brutal, Beautiful, & Reborn”: Love, Alexa Premieres Her Soul-Stirring ‘Spring Cleaning’ EP, a Journey of Reclamation, Renewal, & Release

Wide Orbit © Ben Isaacs
Debut, Music, PremieresJune 18, 2025<June 19, 2025

Premiere: Chicago’s Wide Orbit Shine Bright on “Buddy,” a Jangly, Feel-Good Ode to People, Pets, & Sticking Together

DE'WAYNE © Shai Paul
Columns, Music, Today's SongJune 18, 2025<June 18, 2025

“Her name is June”: DE’WAYNE Struts into a Bold New Era with an Anthem of Love, Liberation, & Seductive Swagger

The Head and the Heart 'Aperture' © Jasper Graham
Features, Interviews, MusicJune 17, 2025<July 11, 2025

“A New Beginning”: The Head and the Heart Let the Light in on ‘Aperture,’ an Intrepid Album of Hope, Freedom, & Human Connection

Will Orchard © Jess Kerber
Music, PremieresJune 17, 2025<June 17, 2025

Premiere: Will Orchard Reckons with Raw Emotion in “Something’s Gotta Go,” a Heavy Folk Rock Exhale

Atwood Magazine's 124th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 13, 2025<June 23, 2025

Editor’s Picks 124: Billie Marten, benches, Gatlin, The Happy Fits, BODHI, & quickly, quickly!

Bad Posture Club © Madison Gies-Guy
Music, PremieresJune 12, 2025<June 12, 2025

Premiere: Bad Posture Club Embrace Life’s Quiet Moments on “Handy Girls,” a Song of Love, Home, & Human Connection

Nii by Harvey Pearson
Artist to Watch, Columns, Interviews, Music, Today's SongJune 12, 2025<June 12, 2025

“My music’s for the over-thinkers”: Nii Confronts Social Anxiety with Heart & Heat on “People Talk to People”

Armlock © Phoebe Cockburn
Columns, Interviews, Music, Today's SongJune 11, 2025<June 11, 2025

“And We Do It All Again”: Melbourne’s Armlock Capture the Warmth of Connection in Softly Stirring “Strobe”

Sarah Klang © Fredrika Eriksson
Features, Interviews, MusicJune 5, 2025<June 5, 2025

“Coming into Myself”: Sweden’s Sarah Klang on Girlhood, Gratitude, Self-Love, and the Stories Behind ‘Beautiful Woman’

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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