• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Liang Lawrence © Mollie McKay
Columns, Music, Today's SongNovember 27, 2024<November 26, 2024

Today’s Song: Liang Lawrence Bares Her Heart in “Kiss My Apocalypse,” a Dreamy & Dramatic Indie Pop Love Song

Maria Kelly © Charlotte Blokhuis
Columns, Music, Today's SongNovember 24, 2024<November 27, 2024

“I’m in a slump and I can’t wake up”: The Heartrending Weight of Maria Kelly’s Intimate, Delicate, & Aching Indie Folk “Slump”

Bathe Alone’s Bailey Crone © Lindsay Thomaston
Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce

Lia Pappas-Kemps © Oscar Tam
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut

Little Hag © Melissa McLaughlin
Features, Interviews, Music, Track-by-TrackNovember 21, 2024<November 21, 2024

“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream

The Slow Readers Club © Liam Maxwell
Columns, Music, Today's SongNovember 20, 2024<November 20, 2024

“Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos

KAIRO © Léo Joubert
Debut, Features, Interviews, Music, Track-by-TrackNovember 19, 2024<November 19, 2024

Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’

Never Ending Fall © Austin Cieszko
Columns, Music, Today's SongNovember 18, 2024<November 18, 2024

“Born to be young and reckless”: Basking in the Heat of Never Ending Fall’s Cinematic Heartbreak Anthem “ISABEL”

Chalk © Aaron Cunningham
Columns, Music, Today's SongNovember 15, 2024<November 15, 2024

Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me”

Only Music Makes Me Cry Now - Becky and the Birds
Debut, Features, Interviews, Music, Track-by-TrackNovember 15, 2024<November 15, 2024

Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’

Bec Sykes 'Pepperpot Magic' © Jeff Andersen Jnr.
Debut, Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’

Sebastian Schub © Emelia Staugaard
Artist to Watch, Columns, Interviews, Music, Today's SongNovember 14, 2024<November 14, 2024

Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement

The Brook & The Bluff © Bryant Bural & Noah Tidmore
Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’

She's in Parties © Polocho
Features, Interviews, Music, Track-by-TrackNovember 13, 2024<November 13, 2024

“Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP

Holly Lovell © Eric Yochim
Music, PremieresNovember 13, 2024<November 15, 2024

Premiere: Denver’s Holly Lovell Embraces Grief, Heartache, & Longing in “When Did I Lose You”

Posts pagination
1 … 30 31 32 33 34 … 301

Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services