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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Blair "Late To The Party" © Lex Lanez
Columns, Music, Today's SongDecember 13, 2024<December 13, 2024

“Young, wild, and free”: Detroit’s Blair Embraces the Long Game in “Late to the Party,” Her Empowering Alt-Pop Fever Dream

Atwood Magazine Editor's Picks 106
Columns, Editor's Picks, Features, MusicDecember 12, 2024<January 13, 2025

Editor’s Picks 106: Bleach Lab, Soda Blonde, Mara Connor, Witch Post, Arny Margret, & Fright Years!

Dylan Cartlidge © Leo Walton
Columns, Music, Today's SongDecember 12, 2024<December 12, 2024

“When the sun hits the water, it’s a smile on my face”: Dylan Cartlidge Channels Joy into Song on His Hopeful, Sunny, & Soulful “New Day”

Bull © Liam Maxwell
Features, Interviews, Music, Track-by-TrackDecember 12, 2024<December 12, 2024

Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream

total tommy's Jess Holt © Andrea Veltom
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP

Casual Male's Tim Lappin © Kevin Condon
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album

Will Swinton © Bryce Glenn
Columns, Music, Today's SongDecember 10, 2024<December 10, 2024

“I’ve been lost since you let me go”: Will Swinton Bares His Soul on “Walls,” an Angsty & Aching Breakup Song

Mary Eliza © Katie Oscar
Columns, Music, Today's SongDecember 9, 2024<December 9, 2024

“No matter the occasion, I’ll bring a boxing ring”: Mary Eliza’s “Porcelain” Is a Feverish, Achingly Raw Indie Rock Reckoning

Sonic Incense - Azekel
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 9, 2024

Feature: The Deep Heat of Azekel’s Sensual, Provocative, & Spiritual ‘Sonic Incense’

Eden Rain © Anita McAndrew
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 5, 2024

“Mess and Love”: Eden Rain Captures Intimacy’s Raw Intensity on Third EP ‘Anyway, how are you?’

Impulsive Hearts © Jovan Landry
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

Premiere: Impulsive Hearts’ Irresistible Anthem “Fit 4 the Apocalypse” Is a Fitting Soundtrack for the End of the World

Products Band © Juliet Farmer
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

“Attach and Separate”: Basking in the Raw, Feverish Energy of Products Band’s “Steady/Sugarless”

Saint Blonde "Prowl" © 2024
Columns, Music, Today's SongDecember 4, 2024<December 4, 2024

“I heard it goin’ ‘round”: Saint Blonde Catch Feelings & Lean in on “Prowl,” Their Seductive Singalong

The Morning Herald © Jane Mok
Music, Music Videos, PremieresDecember 4, 2024<December 4, 2024

“The rumbles out on the town, and it’s alright”: Brooklyn’s The Morning Herald Premiere “Twenty Somethings,” an Anthemic Indie Rock Ode to Friendship and Good Times

Vlad Holiday © Nicole Mago
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Vlad Holiday Chases ‘My Favorite Drug’ on His Darkly Romantic Debut Album

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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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