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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hank Heaven 'Loaded Dice' album art
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

“Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’

Aisha Badru © Jeffery Trapani
Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey

Jo Hill 'girlhood' © Phoebe Fox
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2024<December 3, 2024

“I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album

Tiana Major9 © Remy Bourdeau
Columns, Music, Today's SongDecember 2, 2024<December 3, 2024

Today’s Song: The Gut-Wrenching Heartache of Tiana Major9’s Soul-Baring Seduction, “alone”

Roman Joon © 2024
Artist to Watch, Columns, Debut, Music, Today's SongNovember 28, 2024<November 27, 2024

“Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want”

Liang Lawrence © Mollie McKay
Columns, Music, Today's SongNovember 27, 2024<November 26, 2024

Today’s Song: Liang Lawrence Bares Her Heart in “Kiss My Apocalypse,” a Dreamy & Dramatic Indie Pop Love Song

Maria Kelly © Charlotte Blokhuis
Columns, Music, Today's SongNovember 24, 2024<November 27, 2024

“I’m in a slump and I can’t wake up”: The Heartrending Weight of Maria Kelly’s Intimate, Delicate, & Aching Indie Folk “Slump”

Bathe Alone’s Bailey Crone © Lindsay Thomaston
Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce

Lia Pappas-Kemps © Oscar Tam
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024

Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut

Little Hag © Melissa McLaughlin
Features, Interviews, Music, Track-by-TrackNovember 21, 2024<November 21, 2024

“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream

The Slow Readers Club © Liam Maxwell
Columns, Music, Today's SongNovember 20, 2024<November 20, 2024

“Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos

KAIRO © Léo Joubert
Debut, Features, Interviews, Music, Track-by-TrackNovember 19, 2024<November 19, 2024

Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’

Never Ending Fall © Austin Cieszko
Columns, Music, Today's SongNovember 18, 2024<November 18, 2024

“Born to be young and reckless”: Basking in the Heat of Never Ending Fall’s Cinematic Heartbreak Anthem “ISABEL”

Chalk © Aaron Cunningham
Columns, Music, Today's SongNovember 15, 2024<November 15, 2024

Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me”

Only Music Makes Me Cry Now - Becky and the Birds
Debut, Features, Interviews, Music, Track-by-TrackNovember 15, 2024<November 15, 2024

Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’

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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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