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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Angie McMahon 'Light Sides' © Young Ha Kim
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’

Las Nubes © Sal Rispoli
Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Heavy, Cathartic, & Saudade: Las Nubes Brave Life’s Storms on Fiery Sophomore LP ‘Tormentas Malsanas’

CIAO MALZ © Alex SK Brown
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Track-by-Track: Brooklyn’s CIAO MALZ Debuts With ‘Safe Then Sorry,’ an Unrestrained Record of Risks & Rewards

Penny and Sparrow © Claire Schaper
Music, PremieresJanuary 29, 2025<January 30, 2025

Premiere: Penny and Sparrow’s “Breakdown” Is an Intimate, Honest, & Fun Indie Folk Confessional

Foley 'That’s Life, Baby!' © Frances Carter
Music, PremieresJanuary 29, 2025<January 31, 2025

Premiere: The Sweaty, Irresistible Heat of Foley’s “Fever”

Atwood Magazine's 108th Editor's Picks
Columns, Editor's Picks, Features, MusicJanuary 28, 2025<January 28, 2025

Editor’s Picks 108: Bria Salmena, TOLEDO, Mon Rovîa, Mary Eliza, jasmine.4.t, & MEGGO!

Salim Nourallah © Gavin Nourallah
Music, PremieresJanuary 22, 2025<January 22, 2025

Premiere: Salim Nourallah’s “Damage” Explores the Universality of Pain & Trauma to the Human Experience

Atwood Magazine Editor's Picks 107
Columns, Editor's Picks, Features, MusicJanuary 17, 2025<January 17, 2025

Editor’s Picks 107: Bartees Strange, Willow Avalon, Sly Jr., The 7:45s, The Zew, & Thee Holy Brothers!

Tom Conneely & Birds of Paradise © Kory Thibeault
Music, PremieresJanuary 16, 2025<January 16, 2025

“Wildfire in your eyes”: Tom Conneely & Birds of Paradise Reminisce on Love Lost in Wistful “I Know It”

Gizmo Varillas © Sebastian Madej
Artist to Watch, Music, Music Videos, PremieresJanuary 15, 2025<January 15, 2025

“One heart, one soul, one life”: Gizmo Varillas’ Inner Light Shines on “Into the Night,” a Sun-Kissed Love Song to Life Itself

Hannah McKittrick © Ollie Cox
Columns, Music, Today's SongDecember 17, 2024<December 17, 2024

Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval

Thanks a Million - Dino Expedition
Debut, Features, Interviews, Music, Track-by-TrackDecember 13, 2024<December 13, 2024

Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut

Blair "Late To The Party" © Lex Lanez
Columns, Music, Today's SongDecember 13, 2024<December 13, 2024

“Young, wild, and free”: Detroit’s Blair Embraces the Long Game in “Late to the Party,” Her Empowering Alt-Pop Fever Dream

Atwood Magazine Editor's Picks 106
Columns, Editor's Picks, Features, MusicDecember 12, 2024<January 13, 2025

Editor’s Picks 106: Bleach Lab, Soda Blonde, Mara Connor, Witch Post, Arny Margret, & Fright Years!

Dylan Cartlidge © Leo Walton
Columns, Music, Today's SongDecember 12, 2024<December 12, 2024

“When the sun hits the water, it’s a smile on my face”: Dylan Cartlidge Channels Joy into Song on His Hopeful, Sunny, & Soulful “New Day”

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Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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