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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bea and her Business 'Me vs. Me' © Lewis Vorn
Features, Interviews, Music, Track-by-TrackJune 10, 2024<January 15, 2025

Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP

Nicky Youre © 2024
Features, Interviews, MusicJune 10, 2024<June 11, 2024

“Sweet drenched in bitter”: Nicky Youre Talks Musical Evolution and New Single “Tease Me,” a Song of Hot Sweat & Raw Passion

Jed And The Valentine © Prairie Rose Photography
Debut, Music, Music Videos, PremieresJune 6, 2024<June 6, 2024

“The harvest and the heartache”: Jed and the Valentine’s “Mineral” Is a Spirited Folk Rock Ode to the Universe

William Fitzsimmons © Stuart Smith
Music, PremieresJune 6, 2024<June 6, 2024

Premiere: William Fitzsimmons’ “Holding A Place For You” (ft. Bre Kennedy) Aches With the Weight of Grief, Loss, & Letting Go

Felicity © Taylor Ballantyne
Artist to Watch, Music, Music Videos, PremieresJune 6, 2024<June 6, 2024

Girl Dinner Meets a Well-Overdue Breakdown: Felicity’s “There’s Been a Lot Going On” Channels Burnout & Exhaustion into Dreamy, Soul-Stirring Finesse

Hey Violet 'Aftertaste' © KayKay Blaisdell
Features, Interviews, MusicJune 6, 2024<June 10, 2024

Interview: Hey Violet’s Rena Lovelis Talks Healing, Reinvention, & the Band’s Final Album, ‘Aftertaste’

Warren Dunes © Brady Harvey
Music, Music Videos, PremieresJune 5, 2024<June 5, 2024

Premiere: Warren Dunes’ “Freestyle Day Spa” Is a Sunny & Spirited Reminder That “There’s Plenty of Time Left”

Tinsley "Good Ride" © Kyla Mae Cantillo
Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

Jon Muq’s debut album, Flying Away
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

“It’s in my blood, I was born to roam”: Jon Muq Finds His Home in Song on Debut Album ‘Flying Away’

The Stanford Family Band © Milo Costelloe
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

Track-by-Track: The Stanford Family Band’s Vibrantly Vintage Debut EP Is Here ‘For Your Listening Pleasure’

The Art of Getting Through - Imogen Clark
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

Track-by-Track: Imogen Clark’s ‘The Art of Getting Through’ Is a Rallying Cry for Survival & the Human Spirit

Niamh Regan 'Come As You Are' © Molly Keane
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

“I’m in it for the long haul, baby”: Niamh Regan Embraces a Spirit of Truth in ‘Come As You Are,’ a Breathtaking Record of Raw Self-Acceptance

Bo Baskoro © Shawnie Fortune
Music, PremieresMay 31, 2024<November 2, 2025

“Don’t be scared to feel too much”: Bo Baskoro’s “Give You Up” Is a Heartfelt Song About Showing Up for Our Loved Ones

Closebye © Nicole Miller
Columns, Music, Today's SongMay 30, 2024<May 30, 2024

“I’m just a big mess”: NYC’s Closebye Light a Face-Melting Fire on “Pilates,” a Vibey, Emotionally Charged Fever Dream

Cassia © Marieke Macklon
Features, Interviews, MusicMay 30, 2024<May 30, 2024

“We are all about shining a light on the difficult times”: Cassia Find a New Groove in ‘Home Soon…,’ a Summery, Sun-Soaked Reverie

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Recent Posts

  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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