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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Orion Sun "Already Gone" © Linus Johnson
Columns, Music, Today's SongJuly 10, 2024<July 10, 2024

“It’s a mile to the front door”: Orion Sun Dwells in Love’s Wreckage on “Already Gone,” a Song of Heartache, Grief, & Acceptance

Running Out of Time - Ashe
Features, Interviews, MusicJuly 9, 2024<July 24, 2024

“I’m not sure if I’m in love, but it feels like freedom”: Ashe Talks Independence, Empowerment, & Her Own Liberation With “Running Out of Time”

Billy Sharp © 2024
Columns, Debut, Music, Today's SongJuly 9, 2024<July 9, 2024

Today’s Song: The Sweet Seduction of Billy Sharp’s Dreamy Debut Single “Kitchen Disco Queen”

Ripe's Robbie Wulfsohn © 2024
Features, Interviews, MusicJuly 8, 2024<July 8, 2024

“A high energy palliative”: Ripe’s Robbie Wulfsohn Reflects on One Year of the Band’s Triumphant ‘Bright Blues’

Something Corporate © Connor Lenihan
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Andrew McMahon Talks Something Corporate’s Reunion, New Single “Death Grip,” & the Beauty of Letting Go

Sarah Kinsley "Last Time We Never Meet Again" © Dillon Matthew
Debut, Features, Interviews, MusicJuly 3, 2024<July 3, 2024

“Our lives were only a blimp”: Sarah Kinsley Talks Endings, Beginnings, and Her Cinematic & Celebratory Debut Album

Muroki 'Timezones' © 2024
Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Muroki Traverses Genres and ‘Timezones’ in His Cheeky, Sexy, & Soulful Third EP

Now That's What I Call Fantastic Cat - Fantastic Cat
Features, Interviews, Music, Track-by-TrackJuly 2, 2024<March 18, 2026

Feature: ‘Now That’s What I Call Fantastic Cat’ Is a Stunning Show of Hope & Humanity from Folk Rock Supergroup Fantastic Cat

Julia Logan "Mirrors" © Olof Grind
Artist to Watch, Columns, Interviews, Music, Today's SongJuly 2, 2024<July 2, 2024

“It’s a story of frustration, struggle, and hope”: Julia Logan Embraces Her Restless Heart in “Mirrors”

I Just Needed You to Know - Girl Scout
Artist to Watch, Columns, Music, Today's SongJuly 1, 2024<July 1, 2024

Today’s Song: The Raw, Exhilarating Rush of Girl Scout’s Angsty & Feverish “I Just Needed You to Know”

Country - Medium Build © Tyler Krippaehne
Features, Interviews, MusicJune 28, 2024<June 29, 2024

“The goal was to make something sweet, raw, and direct”: Medium Build Discusses His Achingly Beautiful Album, ‘Country’

Radiosoul - Alfie Templeman
Features, Interviews, Music, Track-by-TrackJune 28, 2024<June 28, 2024

Track-by-Track: Alfie Templeman’s ‘Radiosoul’ Is a Soaring, Spirited Coming-of-Age Triumph

cehryl 'willow tree' © Gemma Harrad
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

“Transient, Introspective, & Cinematic”: cehryl Delves into the Intimate World of ‘willow tree,’ Her Soul-Stirring Third Album

Stephen Sanchez 'Angel Face' © Luke Rogers
Features, Interviews, MusicJune 27, 2024<June 27, 2024

Interview: Stephen Sanchez Talks Fame, Fortune, & His New Songs Off ‘Angel Face (Club Deluxe)’

Zora - Sheppard
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 29, 2024

Track-by-Track: Sheppard Shine Like the Sun on ‘ZORA,’ Their Luminous, Euphoric, & Cinematic Fourth Album

Posts pagination
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Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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