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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Abbie Ozard 'everything still worries me' © Charlotte Rudd
Debut, Features, Interviews, Music, Track-by-TrackAugust 1, 2024<August 1, 2024

Track-by-Track: Manchester’s Abbie Ozard Channels Anxiety into Celebration on Her Coming-of-Age Debut Album ‘everything still worries me’

Small Shake © Marcus Shriver
Columns, Music, Today's SongJuly 31, 2024<July 31, 2024

“I will love you until I let it go”: LA’s Small Shake Channels Frustration into Love on Dreamy Song “Toxic”

Been Stellar 'Scream From New York, NY' © Gabe Long
Debut, Features, Interviews, MusicJuly 30, 2024<July 30, 2024

Interview: Been Stellar Debut With Raw Energy, Urgency, and an All-Consuming ‘Scream From New York, NY’

Beau "Talk to Me" © Chad Moore
Columns, Interviews, Music, Today's SongJuly 26, 2024<July 26, 2024

“Sometimes people say a lot without saying a thing”: NYC Indie Pop Duo Beau Embark on a New Era With Dreamy Song “Talk to Me” & Sophomore LP ‘Girl Cried Wolf’

Ginger Winn 'Stop-Motion' © Brooklyn Zeh
Debut, Features, Interviews, Music, Track-by-TrackJuly 24, 2024<July 24, 2024

Track-by-Track: Ginger Winn Shines Bright on Her Warm, Wondrous, & Sun-Kissed Debut Album ‘Stop-Motion’

eundohee "Sleep On It" © 박현 Hyun Park
Columns, Music, Today's SongJuly 24, 2024<July 24, 2024

Today’s Song: Seoul’s eundohee Basks in a Dreamy, Manic Light on “Sleep On It” Off Upcoming LP ‘Blue Comedy’

Johnny Hunter "Frustration" © Roman Jody
Artist to Watch, Columns, Music, Today's SongJuly 23, 2024<July 24, 2024

“Shut down, baby”: Johnny Hunter Return With an Epic Post-Punk Fever Dream of “Frustration”

mercury's Maddie Kerr © Josef Lloyd
Artist to Watch, Features, Interviews, MusicJuly 11, 2024<July 11, 2024

“A voyage of grief, pain, and loss”: mercury’s Maddie Kerr Talks Songwriting, Raw Emotion, & ‘Together We Are One, You and I’

Orion Sun "Already Gone" © Linus Johnson
Columns, Music, Today's SongJuly 10, 2024<July 10, 2024

“It’s a mile to the front door”: Orion Sun Dwells in Love’s Wreckage on “Already Gone,” a Song of Heartache, Grief, & Acceptance

Running Out of Time - Ashe
Features, Interviews, MusicJuly 9, 2024<July 24, 2024

“I’m not sure if I’m in love, but it feels like freedom”: Ashe Talks Independence, Empowerment, & Her Own Liberation With “Running Out of Time”

Billy Sharp © 2024
Columns, Debut, Music, Today's SongJuly 9, 2024<July 9, 2024

Today’s Song: The Sweet Seduction of Billy Sharp’s Dreamy Debut Single “Kitchen Disco Queen”

Ripe's Robbie Wulfsohn © 2024
Features, Interviews, MusicJuly 8, 2024<July 8, 2024

“A high energy palliative”: Ripe’s Robbie Wulfsohn Reflects on One Year of the Band’s Triumphant ‘Bright Blues’

Something Corporate © Connor Lenihan
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Andrew McMahon Talks Something Corporate’s Reunion, New Single “Death Grip,” & the Beauty of Letting Go

Sarah Kinsley "Last Time We Never Meet Again" © Dillon Matthew
Debut, Features, Interviews, MusicJuly 3, 2024<July 3, 2024

“Our lives were only a blimp”: Sarah Kinsley Talks Endings, Beginnings, and Her Cinematic & Celebratory Debut Album

Muroki 'Timezones' © 2024
Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Muroki Traverses Genres and ‘Timezones’ in His Cheeky, Sexy, & Soulful Third EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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